Johnny on the Spot

Date: 1954
Director: Maclean Rogers
Production Company: E.J. Fancey Productions

Stars: Hugh McDermott, Elspet Gray, Paul Carpenter, Jean Lodge, Ronald Adam, Valentine Dyall, Ronald Leigh-Hunt, Conrad Phillips
Location(s): Hertfordshire, London, Sussex

Region(s): ,

Storyline:

A framed ex-convict struggles to clear his name.

Additional Information:

Screen captures and un-credited now shots by Richard Lovejoy

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We are aware that there are films on the site that were added when the criteria for the inclusion of locations was very different from today and, as a result, there may be scenes missing from some productions. Please do not forward additional screen captures to us but bring the detail to our attention, for we do, and are, 're-addressing' these older entries as time allows.

A man walking towards the camera across a beach. West Sussex coast looking east towards Littlehampton. Circa 1954

Johnny Breakes (Hugh McDermott) walks along a beach having just finished his prison sentence in a South American jail. The Sussex coast looking east towards Littlehampton.

West Sussex coast looking east towards Littlehampton.

There is no sign of the groyne and the contours have changed completely.

A man walking towards camera with the background of a large bay and a groyne foreground. West Sussex coast looking east towards Littlehampton. Circa 1954

He is here to visit Mr Lewis Osborne who had had him imprisoned on a “trumped up” charge. A wide view of the coastline. The Sussex coast looking east towards Littlehampton.

West Sussex coast looking east towards Littlehampton.

Coastal change.

A large house attached to a black windmill. Climping Mill, Near Littlehampton, Sussex Circa 1954

Johnny approaches the house, Osborne was clearly not alone as he was hoping. What was Climping Mill, Near Littlehampton, Sussex The height was reduced to two stories not long after filming.

Climping Mill, Near Littlehampton, Sussex

I believe this is now a college but whatever its use work is being undertaken and closer access is not possible.

A house attached to a black windmill and a car approaching the camera centre. Climping Mill, Near Littlehampton, Sussex Circa 1954

He waits and sees Joan Ingram (Elspet Gray) and Walter Tyler (Valentine Dyall) leaving hurriedly.

Climping Mill, Near Littlehampton, Sussex

The drive as now seen.

A man running away from a large house that is attached to a black windmill. Climping Mill, Near Littlehampton, Sussex Circa 1954

Upon entering the house he finds Osborne dead, slumped over his desk and loses no opportunity to start looking for the diary that might clear his name. Having found the diary and the body of a woman he is attacked by a blind man and he also makes a hurried escape from the house.

Climping Mill, Near Littlehampton, Sussex

Best possible comparative view.

A man approaching some seating outside a very countryside pub.The Two Brewers, Chipperfield, Herts. Circa 1954

Johnny makes his way to the “local” village to rest and enjoy a “double scotch”. The Two Brewers in Chipperfield, Hertfordshire.

The Two Brewers, Chipperfield, Herts.

Fortunately some important things in life do not change.

A large three story house of timber frame and brick. Common Wood House, Sarratt, Herts Circa 1954

He then makes his way back to his hotel. Geoff Dodd swiftly establishes the location as Common Wood House in Sarratt, Hertfordshire

The location now by Antony Blair who replaces an earlier Google capture.

  • 'Now' required
Two men talking over the bonnet of a sports car with garaging in the background

When he sees the car he saw earlier being cleaned by mechanic (Patrick Connor) he seeks to find out more about the owner.

  • 'Now' required
A man in a long black coat and hat walking along a railway platform with a lady.

Joan drives Walter to the station where they say goodbye. It looks like Radlett station to me, which is also seen in 'The Password is Courage'.

A car driving away from a large timber frame and brick house. Common Wood House, Sarratt, Herts Circa 1954

The police “invite” Johnny to the local police station where they propose to confront him with Lewis Osborne’s “heavy” Otto Dessau (Frederick Schrecker). Common Wood House, Sarratt identified by Geoff Dodd

There are more cars in Antony Blair's comparison.

Two men walking along a pavement by shops with extended sun blinds. High Street, Bushey, Herts Circa 1954

As he arrives in town he sees Sergeant Walsh (Conrad Philips) with Otto approaching the police station. High Street, Bushey in Hertfordshire.

High Street, Bushey, Herts

All happily retained and cared for.

A large Bentley car turning in the road with two buildings and a passageway as background. High Street, Bushey, Herts Circa 1954

Keeping his head down, he drives off. High Street in Bushey. A street that can be seen in 'Man Accused', 'Three Crooked Men' and 'Two Wives at One Wedding'.

High Street, Bushey, Herts

Well yes, another bank closed. The blue plaque says "This building was the first Metropolitan Police Station in Bushey 1840-1884". So presumably they were making their way to that seen in 'Innocent Meeting', rather further than "approaching" they were walking in the wrong direction!

A man in a telephone box foreground right his car parked on the road outside and a wall on the opposite side of the road. High Street, Bushey, Herts Circa 1954

Johnny telephones Joan to tell her what he saw and that Otto would have recognised him. The location is . . .

High Street, Bushey, Herts

. . . Bushey House, to the left in the screen capture and here hidden by growth, which became The Bushey House Beaumont, Bushey Park, Care Home in 1996.

A man with a suitcase and bag leaving a house to get into a car. 62 Marborough Place, London NW8 Circa 1954

His friend Paul Carrington (Paul Carpenter), following an earlier telephone call, collects some of Johnny's belonging from his home. 62 Marlborough Place, London NW8

62 Marborough Place, London NW8

Now with the provision for off road parking.

Two men and a Humber car outside a house watching events.Marlborough Place, London NW8 Circa 1954

Meanwhile he is being watched by Steve (Graham Stark) and Bert (Larry Taylor) Marlborough Place, London NW8

Marlborough Place, London NW8

The same scene today.

The rear of a car overtaking another a short distance down the road. Abbey Road, London NW8 Circa 1954

At a junction they overtake him. Marlborough Place approaching the junction with Abbey Road, London NW8.

Abbey Road, London NW8

Traffic lights take over from "Slow Major Road Ahead".

  • 'Now' required

Johnny approaches a garage. Keith Howard identifies this landmark building as the Junior and Infants School on The Common in Chipperfield, Hertfordshire which remains as a private residence.

  • 'Now' required
A car outside a rural garage with adjoining house

Pulling up in the forecourt, Johnny asks for a quick service with a “view to selling the car”, basically to hide it! Panning with the vehicle brings the since demolished garage into frame which Keith Howard advises stood on The Common in Chipperfield. The still extant Martlets Cottage and Little Cot stand in the left background.

A village green on the right, houses background and a car about to turn a corner towards the camera.Chipperfield, Herts. Circa 1954

The police appear to be following him but, as a result of the previous capture, they lose him. The Common, Chipperfield in Hertfordshire.

Pity about the cars spoiling the scene, it remains tranquil . . . until school comes out!

A man looking at a bus timetable outside a ship boarded public house. 132 High Street, Bushey. Circa 1954

He looks to catch a bus outside The Fishmongers Arms at 132 High Street in Bushey, Hertfordshire . . . which can also be seen in 'Skid Kids' and 'Cross-Roads'.

Pete Hammond provides this comparative shot, replacing the previous one, proving that re-development has not completely taken over but this is now circa 160 High Street. (RL)

A man with two cases about to enter a mews house. Ryder Terrace, London NW8 Circa 1954

Meanwhile Paul returns to his home with the items he has collected for Johnny. Ryder Terrace, London NW8. Roy James (the Weasel) was the uncoupler and getaway driver of the Great Train Robbers in 1963 and used 14 Ryders Terrace as an hideout when he was on the run. With thanks to John Disson for the further information.

Ryder Terrace, London NW8

Mews will always be desirable places to live.

A man with a newspaper crossing a mews towards garage doors. Ryder Terrace, London NW8 Circa 1954

Johnny arrives to find Paul “roughed up” and two packages stolen whilst the house is unobtrusively watched from the other side of the Terrace by a plain clothes policeman.

Ryder Terrace, London NW8

And conversions effected to accommodate even more living space.

  • 'Now' required
Two men and a woman coming down a fire escape.

In order to escape the watchful of the policeman, Sally Erskine (Jean Lodge) Paul and Johnny exit via the fire escape to go and visit Joan Ingram at her apartment.

A woman and two men rounding the corner of a brick wall in a mews. Ryder Terrace, London NW8 Circa 1954

Exiting the other end of Ryder’s Terrace where they would certainly had been seen by the policeman.

Ryder Terrace, London NW8

The waste bins unfortunately still have to be on show.

A man and a woman running between two bollards as the enter a narrow passageway. Blenheim Passage, London NW8 Circa 1954

Ducking into Blenheim Passage.

Blenheim Passage, London NW8

Why were the bollards changed?

A view from the kerb side as a car pulls away down a road away from camera. Carlton Hill, London NW8 Circa 1954

Emerging into Carlton Hill and Sally’s waiting car.

Carlton Hill, London NW8

No cars waiting during my visit.

A man and a woman enter a block of flats with the word "Restaurant" over the door. 29 Abercorn Place, London NW8 Circa 1954

They arrive at “Hamilcar House”. Sally and Paul leave Johnny in the car in case the police are waiting for him there. 29 Abercorn Place, London NW 8 also seen in 'Assignment Redhead' and 'Behind the Headlines'.

29 Abercorn Place, London NW8

There is no Restaurant there now but that feature of the time is retained at Oslo Court in Charlbert Street.

Four men leaving a building and approaching a waiting car. Abercorn Plac, London NW8 from number 29 Circa 1954

Not content to sit in the car Johnny wanders off but soon sees Paul leave the apartment block with Walter, Steve and Bert.

Abercorn Place, London NW8 from number 29

I waited for similar activity to subside.

A woman stands looking startled towards camera against the facade of a block of flats. 29 Abercorn Place, London NW8 Circa 1954

Sally exits the building to see Johnny drive off giving chase.

29 Abercorn Place, London NW8

I certainly did not want the embarrassment of capturing a resident.

Looking towards the end of a wide road with a block of flats facing as a car turns right. Abercorn Place, London NW8 towards Abbey Road Circa 1954

With somewhat delayed continuity she sees Paul’s car turning right into Abbey Road whilst Johnny is still parked behind the camera.

Abercorn Place, London NW8 towards Abbey Road

Similar parking during my visit.

A wide residential road with car going away from camera and a few parked cars along the side of the road into the distance. Abbey Road, London NW8 Circa 1954

The two cars speed along Abbey Road, London NW8

Abbey Road, London NW8

The pedestrian crossing remains.

A car enters a road from the right just as another is leaving the picture to the right. Hamilton Terrace from Carlton Hill, London NW8. Circa 1954

Both cars turn into Hamilton Terrace from Carlton Hill, London NW8. With thanks to John Disson for directing me to the location

Hamilton Terrace from Carlton Hill, London NW8.

Cars can still and do, whip round that corner!

A wide main road with three cars travelling away from camera. Carlton Hill, London NW8 Circa 1954

And race down Carlton Hill, London NW8

Orderly motoring.

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A close up of a car in a country lane with a man leaning out shooting a gun towards the camera.

Into the countryside where Steve shoots at Johnny’s tyres to force him to a standstill. Unknown location.

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A window of a large house with a car parked below it and the outline of a man approaching the scene.

In the dark he walks to a local house called “Mallards”, having learnt that it is the home of Diana Townley (Vanda Godsell) who sends a grey Humber car to collect a blind man who plays in the local pub. Does that plaque help identification? The film concludes in studio sets.