Return to Yesterday

Date: 1940
Director: Robert Stevenson
Production Company: CAPAD, Ealing Studios

Stars: Clive Brook, Anna Lee, May Whitty, Hartley Power, Milton Rosmer
Location(s): Devon, London

Region(s): ,

Storyline:

Robert Maine is torn between returning to the glamour of Hollywood or working with a small theatre company in England and rekindle his happy carefree days. When she falls in love with Maine, Carol has the same dilemma.

Additional Information:

Screen and “Now” captures 1, 4, 8 and 10 provided by James and Chris Churcher, those and other screen captures uploaded by Richard Lovejoy.

Can you help:

If you have any information regarding this production, the locations or, even better, some comparison shots please contact us. Images submitted must be in Landscape orientation, as would be seen on the cinema screen, not Portrait.

We are aware that there are films on the site that were added when the criteria for the inclusion of locations was very different from today and, as a result, there may be scenes missing from some productions. Please do not forward additional screen captures to us but bring the detail to our attention, for we do, and are, 're-addressing' these older entries as time allows.

An overview of the town of Teignmouth behind film credits showing the name of the film, Return to Yesterday

An overview of the town of Teignmouth (Torracombe in the film) to set the location.

A little changed vista.

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A view out to sea from a rocky coastline behind the film credit telling it was produced by Michael Balcon

A cove appears behind a further credit.

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A female dance troupe in front of a seaside building and a large watching crowd.

An entertainment location unidentified.

Teignmouth Town and pier from Eastcliff Walk behind film credits.

The Town and pier from Eastcliff Walk. A similar view was seen in 'Press for Time'.

The jetty to the pier was removed in 1940 during World War II to prevent its use by the Germans, which reduced the pier's length by 75ft.

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Robert Maine (Clive Brook) is to travel to the films Torracombe (Teignmouth) and an adoring crowd gathers. Paddington Station.

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An overview of platforms 4 to 7 at Paddington Station with busy commuters.

A further view of Paddington Station whilst the awaiting crowds are instructed.

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A steam train leaving Paddington Station below the Bishop's Road Bridge dominant across the picture left to right.

Eventually Maine boards unnoticed and the train departs. Bishop’s Road Bridge, London W2 as seen from Platform 4? Views of the station feature in many other productions including 'West 11', The Mind Benders’, ‘Last Night in Soho’, ‘Murder She Said’, ‘The Bank Job’, ‘The Last Journey’, ‘The Long Good Friday’, ‘A Run for Your Money’, 'Layer Cake', ‘A Severed Head’, 'Joanna' and ‘Fool's Gold: The Story of the Brink's-Mat Robbery’.

A King Class steam engine (on a Plymouth working) heading along the sea wall section between Parsons Tunnel and Teignmouth station.

A King Class (on a Plymouth working) heading along the sea wall section between Parsons Tunnel and Teignmouth station. This footage also appears in 'Ghost Train' (1941) and 'Another Time Another Place'.

A curved railway line along the sea wall section between Parsons Tunnel and Teignmouth station.

An excellent comparison shot of this memorable track location.

Enjoying a home made Cornish Pasty with the Guard, Robert sees Teignmouth Pier from the carriage.

Enjoying a cheese sandwich without the Guard, I took a view of the pier from almost the same angle. (PW)

A man alighting a stationary train that is on a bend and very close to the sea.

Having realised that he was perhaps happier before he became famous he pulls the communication chord and after the train stops he leaves the train to embark upon a “Return to Yesterday”. This footage also appears in 'Ghost Train' (1941). Andrew tells us that this is specifically Red Rock, Dawlish Warren which precedes the point at which he looks out of the carriage window (previous capture) to Teignmouth pier so those two shots have been ‘reversed’!

Dawlish Warren looking towards Dawlish town by the GWR main line to Devon and Cornwall taken from Langston Rock.

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A large double fronted house on a corner to a seaside promenade with two people about to enter

Peter Thropp (David Lee) who’s play is scheduled at the local theatre and his girlfriend Carol Sands (Anna Lee) return to the boarding house at which they are staying.

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Morrison (David Horne) the play producer calls upon Maine’s agent to tell him about the play he was now involved with in Torracombe. To check whether he did leave on the “Nomadic” he calls the shipping lines clerk Fred Glover (Eliot Makeham) at his home. Unknown location.

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After rehearsal Maine takes Carol on a trip to the local Tuesday Island. Andrew Fiderkieiwcz advises that in reality this is Ore Stone, an island off Hope's Nose, Torquay.

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Two people in a small boat about to pass through a narrow rocky gap.

They successfully negotiate the small channel but then crash into a rock!

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They try in vain to attract the attention of a passing DH82A Tiger Moth Regn: G-AFSS (But how they eventually return remains a mystery!). Andrew believes that the biplane is really flying near Ore Stone Rock as the view is of Teignmouth, probably from Marine Drive, Torquay. Haldon Hill is behind Teignmouth and the Ness headland, which is also prominent in the pier shots but from the other direction, is between the camera and the town.

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A crowd on a pier approaching the camera and buildings on the mainland in the background.

Despite Robert being told by his agent that he cannot perform due to his contract he decides to proceed and the first performance is a sell out. Teignmouth pier looking inland toward the apartments in Den Crescent.

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A woman seeing a steam train depart from a station in the evening.

Robert decides to return to America alone and is seen off by fellow cast member Mrs Truscott (Dame May Whitty). James Churcher advises that this is Ealing Broadway station, looking towards West Ealing, and he believes that the camera position was on the Main Line platforms as opposed to the slower Relief Line platforms.