Kitchen, The

Date: 1961
Director: James Hill
Production Company: Association of Cinema Technicians (A.C.T.)

Stars: Carl Möhner, Mary Yeomans, Brian Phelan, Tom Bell, Eric Pohlmann
Location(s): London

Region(s):

Storyline:

The combustible setting of a busy restaurant kitchen provides a microcosm of the world.

Additional Information:

Screen captures by Phil Wilkinson

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Mornington Terrace, London NW1 looking north. Circa 1961

At the end of a busy night in the kitchen, Peter (Carl Möhner) catches up with his girlfriend Monica (Mary Yeomans) as she walks away from the restaurant where they both work.

Mornington Terrace, London NW1 looking north.

Dave W found the location, Mornington Terrace NW1 looking north. (RL)

Almost at the junction with Mornington Street. Circa 1961

After a few words, the two part company and a tired Monica heads back to her husband Monty.

Almost at the junction with Mornington Street.

Find one and the others often follow, here is Dave almost at the junction with Mornington Street. The eucalyptus and ivy are hiding some details. (RL)

On the corner of Mornington Place outside the former pub, now residential Circa 1961

Peter calls "I love you" before turning and making his own way home. The public house to the left is named 'Victoria'.

On the corner of Mornington Place outside the former pub, now residential

Here was Dave facing the other way and on the corner of Mornington Place outside the former VICTORIA pub, now converted to residential. (RL)

During the afternoon break in service, Monica and Peter head away from their workplace. The corner of Charlotte Street and Colville Place in London W1.

As Dave says, the telephone box has been replaced by bollards and you'll need to go elsewhere to buy Typhoo. He didn't mention that the "bookies" extreme right was closed as a result of equine flu. (RL)

Charlotte Street with the corner of Windmill Street in the left background. Circa 1961

The waitress and the cook enjoy the time together. Charlotte Street with the corner of Windmill Street in the left background.

Charlotte Street with the corner of Windmill Street in the left background.

As Dave and I covered the same shots on the same day he has allowed me a token of my work. (RL)

Tottenham Court Road and New Oxford Street in W1. Circa 1961

Without dialogue, the two reach the corner of Tottenham Court Road and New Oxford Street in W1.

Dave preferred to leave it later in the day to introduce a little "mood" to his shot. (RL)

Tottenham Court Road, New Oxford Street, St. Giles High Street and Charing Cross Road. Circa 1961

St. Giles Circus at the junction of Oxford Street, Tottenham Court Road, New Oxford Street, St. Giles High Street and Charing Cross Road.

Tottenham Court Road, New Oxford Street, St. Giles High Street and Charing Cross Road.

And at the end of Dave's day he took this one. (RL)

Charing Cross Road and the Jacey Cinema behind the couple Circa 1961

The pair pause to look through a window where a chef is preparing food.

Instantly recognised by Dave W as the Charing Cross Road, London WC2 and what was the Jacey Cinema but now 'The Montagu Pyke' public house. It is so called as Mr Pyke was the owner of the original cinema on the site but Dave adds "Poor bloke was convicted and bankrupted when his premises caught fire; an electrician was left to do work in the basement store which was full of flammable film stock!" (RL)

This is St. Martin's Place with the globe of the Coliseum Theatre to the top and the Edith Cavell Memorial to the right.

Later in the day in the same season. SJ

St. Martin's Place in London WC2 also features in 'Bunny Lake is Missing', 'The Key Man' and 'Front Page Story'.

Tilting down. SJ

Trafalgar Square with the National Gallery to the right.

Inaccurate: to be replaced. SJ

The fountains in Trafalgar Square with the base of Nelson's Column behind.

The fountain is less exuberant. SJ

Looking towards the National Gallery in Trafalgar Square. The famous landmark features in many productions including 'The Mackintosh Man', ‘Yield to the Night’, 'Monsieur Ripois', ‘The Crooked Sky’ and ‘The Day the Earth Caught Fire’.

A sharper image perhaps required. SJ

In the background beyond the fountain is the start of Strand.

Rather a fussy no entry sign. SJ

The lovers head for a bench to sit down where Peter broaches the subject of Monica getting a divorce. To the left stand buildings at the corner of Northumberland Avenue while on the right is Whitehall with the Victoria Tower of Westminster Hall in the distance.

Today. SJ