Calling Paul Temple

Date: 1948
Director: Maclean Rogers
Production Company: Nettleforld Films

Stars: John Bentley, Dinah Sheridan, Margaretta Scott, Abraham Sofaer, Celia Lipton
Location(s): Kent, London

Region(s): ,

Storyline:

Scotland Yard is unable to solve a series of murders and calls Paul Temple for assistance.

Additional Information:

Screen captures by Phil Wilkinson

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Aerial shot of New Bond Street in W1 with the corner of Conduit Street to the right. Circa 1938

While detective novelist Paul Temple discusses a series of murders of Women with Sir Graham Forbes, the Deputy Commissioner of Scotland Yard, and Inspector Crane at home, his wife Steve learns of a clue at her beauty salon. New Bond Street in W1 with the corner of Conduit Street to the right.

Paul Lincoln was limited to ground level comparative shot. (RL)

After two recent attempts on their lives, Steve calls Paul over to their apartment window when a Girl in Grey arrives by cab. Regency Lodge on Adelaide Road in NW3.

No resident invited Paul Lincoln in to take a shot from their window so he had to accept ground level. Accordingly a wider comparative shot seemed appropriate to the circumstances. The facility to park in the center appears to have been lost. (RL)

Following a lead, Paul and Steve arrive in Canterbury to search for Judy Grant at the Falcon Hotel. St. Dunstans Street in Canterbury, Kent with the Falstaff Hotel to the left and Westgate ahead.

There's considerably more traffic in Nick Boorman's less picturesque view.

  • 'Now' required

The sign outside the Falcon Inn . . . but that bracket doesn't look sturdy enough to be genuine.

Checking in at the Falcon, Paul surveys the view from the dining room window. Across the Great Stour stands Bishops Mill on Westgate Grove, Canterbury.

Nick Boorman found very little difference in the scene across 75 years.

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Steve asks Paul for a trip along the river before the two are seated for lunch and another clue is discovered. Straddling the watercourse stands Greyfriars Chapel, now surrounded by the Franciscan Gardens.

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While Paul is distracted by Wilfred Davies, Steve begins to follow Davies' Accomplice. Looking across the Great Stour towards buildings on Westgate Grove.

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Davies' Accomplice walks through the city. Facing south-east at the corner of St. Peter’s Street and The Friars in Canterbury.

King’s Bridge taking the road at the junction of St. Peter’s Street and High Street over the Great Stour. Jules points out that the building to the left is 'The Old Weavers' restaurant. (RL)

From bridge level by Nick Boorman.

Paul catches up with Steve and and the two follow Davies' Accomplice towards the Cathedral. Looking from St. Margaret’s Street towards Mercery Lane beyond the junction of High Street and Parade with Christchurch Gate in the distance.

Nick Boorman found few changes at the junction.

Facing Christchurch Gate from Butter Market in Canterbury, Kent.

There was a lot of renovation work in progress when Nick Boorman arrived.

Butter Market with Sun Street beyond the War Memorial on the left and Christchurch Gate in the background.

Nick Boorman tilts down the building to street level.

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The Accomplice passes the Old Friars Monastery as he makes his way to a pair of iron gates. Blackfriars Street, Canterbury with the former Blackfriars Monastery filling the background.

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Passing through the gates, Davies' Accomplice makes his way towards the river. Looking towards Blackfriars Street with a wall of the former Blackfriars Monastery to the right.

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Steve (Dinah Sheridan) and Paul Temple (John Bentley) find the gates locked. The gateway on Blackfriars Street adjacent to the former monastery.

After the couple return to London, the Girl in Grey calls to see Paul. The entrance to numbers 47 to 60 Regency Lodge on Adelaide Road in South Hampstead. The building also appears in ‘The 20 Questions Murder Mystery’, ‘The Turners of Prospect Road’ and ‘Guilty?’.

This shot from Paul reveals that the end of the central reservation appears to have been simplified. (RL)

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Following Steve back to Canterbury, Paul rows along the river to the Old Friars Monastery. Looking across the Great Stour in Canterbury towards the walls of the former Blackfriars Monastery.

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The camera moves with the punt bringing a doorway in the wall of the monastery into view.

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Calling Steve's name, Paul Temple runs through the monastery's undercroft towards her stifled reply.