Escape (1948)

Date: 1948
Director: Joseph L. Mankiewicz
Production Company: Twentieth Century-Fox Productions

Stars: Rex Harrison, Peggy Cummins, William Hartnell
Location(s): Devon, London

Region(s): ,

Storyline:

An RAF War veteran escapes from prison and meets a woman who persuades him to complete his sentence.

Additional Information:

Screen captures by Phil Wilkinson

Jimmy Snow, special effects technician, for whom we have a fulsome summary of his career written by his granddaughter Brigitte, together with her memories of him, worked on this film. All that she has shared with us can be read here.

Can you help:

If you have any information regarding this production, the locations or, even better, some comparison shots please contact us. Images submitted must be in Landscape orientation, as would be seen on the cinema screen, not Portrait.

We are aware that there are films on the site that were added when the criteria for the inclusion of locations was very different from today and, as a result, there may be scenes missing from some productions. Please do not forward additional screen captures to us but bring the detail to our attention, for we do, and are, 're-addressing' these older entries as time allows.

  • 'Now' required

A panning shot soon brings the impenetrable walls of Dartmoor Prison into view.

  • 'Now' required

Inside the edifice, Matthew Denant contemplates his position. More of the gaol's edifice is brought into the frame.

  • 'Now' required

The picture sweeps across walls built to hold French prisoners during the first decade of the 19th Century.

  • 'Now' required

In his cell, former RAF squadron leader recalls events that caused him to be incarcerated. HM Prison Dartmoor stands in Princetown, Devon and also features in 'They Made Me A Fugitive', 'Lucky Break' and the 1930 version of this film, 'Escape!'.

  • 'Now' required

At Hendley Aerodrome, Rodgers (Cyril Cusack) and Titch (Peter Croft) prepare for Matt's landing.

After a day at the races, Matt runs from the bar when he sees a bus heading back to town. Peter Brown, always a good bet when it comes to racecourse identification, places this as The Jubilee public house, Staines Road East, Kempton Park. The curved timber arches and distinctive turned posts remain. (RL)

John Hicks provides this far clearer view of the pub showing that only slight adjustments have taken place in the intervening years.

Matt manages to jump aboard the number 90. Whilst there have been significant changes over the years to Kempton Park racecourse and trees can now be seen across the road from The Jubilee public house the general layout is clearly identifiable from the Google Earth satellite image of Staines Road East, Kempton Park. Peter Brown further advises that the horse trough was moved to Chester Market in 1948, its whereabouts now unknown since the Ring Road was built in the 1960s. (RL)

Unable to replicate the view through the scalloped awning, John Hicks captured the general view across the street towards Kempton Park.

A change of route later and Matt alights at Hyde Park Corner. This is a very dim shot of Knightsbridge with the walls of St. George's Hospital just visible to the right.

The road is wider these days and Peter took this shot through the glazing of the present bus shelter.

Matt makes his way past the entrance to Hyde Park Underground station. Looking towards Piccadilly with Duke of Wellington Place to the right . . . somewhere.

A simplified roundel graces the station entrance in Peter's modern daylight view.

Soon after Matt enters Hyde Park, he strikes up a conversation with a Woman. Apsley House stands in the background while the Grand Entrance Screen is visible to the right. The location features in ‘The Man in the Road’, ‘Joanna’, ‘Little Red Monkey’, 'The Wildcats of St Trinian's', ‘The Fourth Protocol’, ‘The Optimists of Nine Elms’ and the 1930 version of 'Escape!' amongst other productions.

Peter's clearer image of Apsley House.

  • 'Now' required

Crowds flock to buy newspapers reporting the trial after Matt is arrested and charged with manslaughter following an altercation in the park when the Woman is almost arrested for soliciting. Now named The Queen's Walk, this is the Thames side thoroughfare outside County Hall in SE1.

The accused is sentenced to three years penal servitude. The Central Criminal Court City on Old Bailey, London EC4. The building is also seen in 'Hostile Witness', 'The Jokers', 'Ring of Spies', 'Brothers in Law', 'Seven Days to Noon' and 'Appointment with Crime'.

Peter provides this modern shot in glorious colour.

  • 'Now' required

Believing it an unjust punishment, Matt takes the opportunity to escape from prison in the fog and makes his way across the moors.

  • 'Now' required

Matt Denant (Rex Harrison) comes to a stand as a hunt approaches.

  • 'Now' required

Falling from her horse near where Matt was hiding, Dora Winton drives home.

  • 'Now' required

The young woman draws onto the driveway of the house that, later, Matt approaches.

  • 'Now' required

Given a coat and hat by Dora, Matt completes the outfit by stealing a pair of trousers as he runs. Steve Burdon tells us that the Man who trips over his pig a few frames later is his father, Peter Burdon, who was a founder member of The West of England Theatre Company based at Exmouth, Devon. More information can be found at https://www.freewebs.com/wpburdon/

Hernaford Road looking north to Moreleigh Road, Harbertonford, Devon. Circa 1948

In the fictional village of Moorside, the escaped convict hides in a lane as a couple leave their house. Hernaford Road looking north to Moreleigh Road, Harbertonford, Devon. (RL)

Hernaford Road looking north to Moreleigh Road, Harbertonford, Devon.

On a substantially less sunny day nearly 75 years on. (RL)

3 Moreleigh Road, Harbertonford, Devon Circa 1948

Having phoned his pals at the airfield, the Mrs. Pinkem the Postmistress (Marjorie Rhodes) calls to Matt to pay sixpence for the call. 3 Moreleigh Road, Harbertonford, Devon (RL)

3 Moreleigh Road, Harbertonford, Devon

The customary vehicular obstacles. (RL)

Moreleigh Road, Harbertonford looking towards the junction with Hernaford Road. Circa 1948

Matt runs when a Policeman is alerted. Moreleigh Road, Harbertonford looking towards the junction with Hernaford Road. (RL)

Moreleigh Road, Harbertonford looking towards the junction with Hernaford Road.

Sorry Fiona, your house to the right was not the post office, viewing the film confirms that was actually No 3. (RL)

3 Moreleigh Road, Harbertonford to the extreme right, looking south east. Circa 1948

Constable Beames (Frank Pettingell) blows his whistle as Matt escapes from view. 3 Moreleigh Road (Capture 19) to the extreme right, looking south east. (RL)

3 Moreleigh Road, Harbertonford to the extreme right, looking south east.

Some not unexpected changes but the original cottage can still be identified. (RL)

  • 'Now' required

With dogs barking and the whistle blowing Policeman not far behind, Matt checks before venturing onto the main road.

Harbertonford in Devon with the church of St. Peter standing in the right background. Circa 1948

Needing transport, Matt approaches a garage. Harbertonford in Devon with the church of St. Peter standing in the right background.

Harbertonford in Devon with the church of St. Peter standing in the right background.

The garage is long gone but we did meet a resident who remembered it. (RL)

The Constable attempts to stop the car that Matt drives from the garage. A wider view of Harbertonford.

A trifle off angle as I didn't have a crib sheet. (RL)

The corner of Old Road in Harbertonford. Circa 1948

As Matt speeds away, Constable Beames takes up the pursuit. The corner of Old Road in Harbertonford.

The corner of Old Road in Harbertonford.

Some recent 're-arrangement' of the wall had taken place. (RL)

Old Road seen from Harbertonford Bridge over the Harbourne River in Harbertonford. Circa 1948

The fugitive is followed from the village. Old Road seen from Harbertonford Bridge over the Harbourne River in Harbertonford.

Old Road seen from Harbertonford Bridge over the Harbourne River in Harbertonford.

Greenery substantially restricts the view now. (RL)

  • 'Now' required

With her Sister, Dora drives up as Matt tries to fix his broken down vehicle on the moors.

Moreleigh Road, Harbertonford looking towards the A38 Circa 1948

Managing to re-start the car and travelling with Dora to avoid suspicion, Matt drives through the village. Moreleigh Road looking towards the A381 (RL)

Moreleigh Road, Harbertonford looking towards the A38

The best possible angle given parked cars and structural additions. (RL)

Moreleigh Road, Harbertonford looking east towards the junction with Woodcourt Road Circa 1948

While Constable Beames is phoning Inspector Harris, the couple pass the Post Office without being recognised. Moreleigh Road looking east towards the junction with Woodcourt Road. (RL)

Moreleigh Road, Harbertonford looking east towards the junction with Woodcourt Road

The archway in the wall remains but now disguised with greenery. (RL)

Moreleigh Road, Harbertonford looking west. Circa 1948

The camera follows the car as Matt drives past. Panning up Moreleigh Road looking west. (RL)

Yes, it is a panning shot from the previous capture. (RL)

Nappers Crossing, on the Totnes to Ashburton South Devon Railway Circa 1948

As Dora Winton (Peggy Cummins) tells Matt about her life the journey is halted at a level crossing... Nappers Crossing, on the Totnes to Ashburton South Devon Railway, a line still open as a preserved route, but only as far as Buckfastleigh. The steam loco is a 4500-series 2-6-2T of which one is preserved on the line, meaning that a 'now' photo should be a good one to recreate. With thanks to Jonathan Horswell. (SJ)

Nappers Crossing, on the Totnes to Ashburton South Devon Railway

Pity about that street furniture, it is not possible to achieve a higher vantage point and perhaps next time we will study the timetable before visiting, otherwise it is fine. (RL)

Arriving in Moorside, Inspector Harris (William Hartnell) asks Constable Beames where he thinks they should start looking for the runaway.

I remain unsure as to whether this is an additional property or a rebuild of the one in the capture. (RL)

A private road on the opposite side of Nappers Halt, Nappers Crossing. Circa 1948

After the train passes, Matt drives on leaving Dora agreeing to make her way home on foot. A private road on the opposite side of Nappers Halt, Nappers Crossing. (RL)

A private road on the opposite side of Nappers Halt, Nappers Crossing.

The mill further down the lane remains and it currently undergoing renovation work. (RL)

  • 'Now' required

Matt arrives at the aerodrome to make his escape by plane.

  • 'Now' required

Arriving at the airfield too late, the Inspector and a Constable throw themselves to the ground as Matt attempts to take off down wind.

  • 'Now' required

The morning after the light aircraft crashes into a tree, shepherd Jim (Patrick Troughton) and his mate George discover an injured Matt lying in a gateway.

  • 'Now' required

Farmer Browning (George Woodbridge) fires at Matt as he escapes.

  • 'Now' required

After Inspector Harris calls, Dora sees Farmer Browning and his men searching for Matt.

  • 'Now' required

On the run again after hiding out in an outhouse, Matt takes cover beneath a bridge.

  • 'Now' required

A Police Car approaches the bridge.

  • 'Now' required

Farmer Browning halts his men as Inspector Harris gets out of the car.

  • 'Now' required

Matt makes his way to a church. St. Leonard's church in Sheepstor, Devon.

  • 'Now' required

Tired and injured, the convict makes his way inside where he finds the Minister.

  • 'Now' required

Having been persuaded to give himself up, Matt leaves the church with Dora and Inspector Harris.

  • 'Now' required

The Inspector takes his prisoner back to complete is sentence.

  • 'Now' required

The car approaches the remote prison. Facing north on Tavistock Road in Princetown.

  • 'Now' required

The entrance to Dartmoor Prison on Tavistock Road in Princetown, Devon.