Gideon’s Day

Date: 1958
Director: John Ford
Production Company: Columbia Pictures Corporation, Columbia British Productions

Stars: Jack Hawkins, Dianne Foster, Cyril Cusack, Andrew Ray
Location(s): London

Region(s):

Storyline:

A day in the life of a Scotland Yard Inspector begins on the wrong side of the law before murderers, escaped patients and robbers are brought to justice.

Additional Information:

Screen captures by Phil Wilkinson Also known as ‘Gideon of Scotland Yard’ (US Title)

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Through the titles, iconic views of London are seen. Looking across the River Thames at New Scotland Yard, now known as the Norman Shaw Buildings, on Victoria Embankment.

A view across the River Thames to the buildings of Scotland Yard

The buildings of Scotland Yard continue to dominate. (RL)

Tower Bridge appears, standing out in an unfamiliar landscape.

Tower bridge from the south bank of the River Thames

The commercial activity has given way to tourism. (RL)

The unchanging Trafalgar Square in WC2 with St Martin-in-the-Fields church to the right.

The same view without the credits. (RL)

Facing east on Ludgate Hill EC4 with St. Paul’s Cathedral in the centre distance.

Taken from the corner of Pageantmaster Court. SJ

With breakfast over, Mrs. Kate Gideon (Anna Lee) says goodbye to her husband Chief Inspector George Gideon (Jack Hawkins). Farm Avenue in Cricklewood NW2 claims Paul Canty.

Here's the proof in this picture from Paul.

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George approaches his car to find Sally Gideon (Anna Massey) sitting in the driving seat whilst Jane and Ronnie (Mavis and Malcolm Ranson) wait in the back. Contacting us from Hollywood, CA, Martin Lewis confirms Farm Avenue in NW2, just one street away from his childhood home between 1954 and 1967. Martin adds "The most illustrious resident of Farm Avenue that I can recall was Graeme Garden of the Goodies who I worked with in 1976 in my role as co-creator, with John Cleese, and producer of what became the "Secret Policeman's Ball" series of benefit shows, films and albums."

Sally moves over as her father climbs into the Hillman Minx. Recognised by by Paul Canty, this is Farm Avenue with shops on Cricklewood Lane in the right distance. Martin Lewis adds that Cricklewood Lane was very close to the famous Samuelson's Film Services, the equipment facility that rented cameras, lights etc to studios and filmmakers, which was historically located at 303-305 Cricklewood Broadway.

Paul took this from the pavement to avoid being arrested for trespassing.

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Just as the bell is ringing, Jane and Ronnie are dropped off at school. Summerswood School on Furzehill Road in Borehamwood, Hertfordshire.

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With his youngest children delivered to lessons, George hurries to complete his next task.

The Regent's Park is driven around on the way. Facing west at the junction of Outer Circle with York Gate and York Bridge in London NW1. Identified by James Hammond . . .

. . . who also provides this contemporary view.

As the high ranking Policeman races to get his eldest daughter to music college, the Drop-head Coupé turns the corner of Outer Circle and enters York Gate.

An extension towards the street. SJ

York Gate in Marylebone with York Terrace crossing in the centre. The location can also be seen in 'The Man Without a Body'.

James Hammond follows the route of the car around the corner.

York Gate found by James Hammond, with St. Marylebone church in the left distance.

A similar view captured by James Hammond.

At the junction ahead, the traffic lights change through amber to red. In front of St. Marylebone church at the junction of York Gate and Marylebone Road.

Peter found the modern version of the traffic signal.

George looks back to see if anything is approaching. York Gate in NW1.

Just filling in a gap here. SJ

Ignoring road traffic law, George pulls away against the traffic signal. The junction of York Gate and Marylebone Road.

Peter followed Gideon's route to grab this comparison.

P.C. Simon Farnaby-Green (Andrew Ray) spots the Hillman as it passes the red light. In the background stands the Royal Academy of Music on Marylebone Road.

A closed look at the Academy by Peter.

The Constable waits as George turns onto the forecourt of the Royal Academy of Music. Looking west along Marylebone Road.

Peter found that a similar level of traffic still uses the road.

As George brings the car to a stand, the Officer approaches. The Royal Academy of Music also features in 'Incense for the Damned', ‘Sapphire’ and 'Say Hello to Yesterday'.

More proof from James Hammond.

After issuing a summons to her father, Sally asks P.C. Farnaby-Green to see that a forgotten concert ticket is delivered to him. Outside the Royal Academy of Music.

Peter provides this closer view of the location.

Chief Inspector Gideon continues on his way to Scotland Yard. Whitehall in London SW1.

A view across Whitehall to some of the less important buildings.

All the buildings appear to have had a facelift. (RL)

As he enters Derby Gate, the Flying Squad officer wonders whether there will be a parking space for him.

Look no scaffolding......OK it is in the background now! (RL)

The front of a church looking towards a trolleybus turning circle with a trolleybus.

The Chief Inspector travels to St. Etherbert's in the Marsh to question an informant, 'Birdy' Sparrow. Christopher Matheson identifies a 677 trolleybus at West India Dock turning circle and St. Peter's Danish Church which were on Ming Street (previously called King Street) in London E14. The church is also seen in 'Saturday Night Out'.

This Google Earth view is the best that Christopher Matheson could provide given that the turning circle is now absorbed into the Limehouse Link. (RL)

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Escorting Mr .Walker on his company's pay run from his bank, petty crook Paul Delafield (Ronald Howard) stops the car when coming across his accomplice Feeney (Donal Donnelly). This is highly likely to be a studio set.

With bells ringing, the Chief Inspector is driven to the film's Westwood Court and the home of Detective Sergeant Kirby. Whitehall SW1 with The Red Lion public house on the corner of Derby Gate.

Derby Gate with the buildings at its junction with Parliament Street view from the other side of the road.

The shot I overlooked when I was last there. The scaffolding has clearly moved backwards. (RL)

The camera follows the car onto Whitehall, bringing The Cenotaph into view on the left.

A view across Whitehall with the Cenotaph to the left. (RL)

Having been tipped off by Birdy about Detective Sergeant Eric Kirby receiving bribes and dealing in drugs, Gideon arrives outside the expensive flats where corrupt officer lives with his wife. Osnaburgh Terrace in NW1 with Albany Street in the left background and The White House on the right.

Osnaburgh Terrace, London NW1 towards Albany Street.

A redeveloped background property and works underway at 'Melia White House Hotel'. (RL)

Inside the apartment, the Chief Inspector tells Mrs. Kirby about his findings before news is received that her husband has been killed in an apparent road accident. The White House is currently known as Meliá White House with an address on Albany Street NW1 and also appears in several other films including 'Ring of Spies', 'Third Party Risk', 'Tread Softly Stranger', 'The Counterfeit Plan', 'The Betrayal' and 'Escapement'.

A longer shot of the same building by Peter.

Having escaped from a ‘mental institution’ in Manchester, Arthur Alexander Sayer (Laurence Naismith) returns to his former lodgings in London. Belmont Street in NW1, according to Adrian Grepnold, with the roof of the, then disused, railway roundhouse in the centre distance. The building to the left of the roundhouse still stands.

Adrian admits that this comparison shot isn't the right place, which was pulled down, but here's a row of matching terrace from round the corner. Adrian adds that "Until I saw this I couldn't believe I'd got the right place!".

Sayer stops outside the house of Mrs. Saparelli before knocking at the door. Belmont Street in Chalk Farm.

Adrian Grepnold found all that remains now is the Roundhouse, a bit of stepped wall and the end of a house hidden by the tree to the left.

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After murdering Mrs. Saparelli’s daughter Dolly, Sayer alights from a bus whilst making his escape. This has the appearance of another studio set.

Sayer drops his copy of the Manchester Guardian as he makes his way towards a theatre. Palace Theatre on Clarendon Road in Watford, Hertfordshire which is also seen in ‘Murder Most Foul’.

Steve Blanchard found that the theatre has been encroached upon from almost every angle.

Having picked up the newspaper, PC Farnaby-Green follows Sayer towards the Marlborough Theatre, 383 Holloway Road N7 identified by David Neicho.

David Neicho took this shot from outside Marlborough House, site of the old Marlborough Theatre.

The young Constable enters the theatre where he discovers Sayer in one of the lavatories. Looking southward on Holloway Road.

Tris captures this modern view of the same location.

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The Marlborough Theatre, Holloway Road. 1957

P.C. Farnaby Green (Andrew Ray) enters the foyer of the Marlborough Theatre. An additional screen capture following advice from Charles Barr that this is the actual foyer of the theatre and not a set. The theatre closed on the 31st August 1957 and the final program featured "The Heart Within, News, Hell Drivers" that can just be read on the far wall. The building was demolished in 1962. (RL)

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The Marlborough Theatre, Holloway Road 1957

He then approaches the cashier (Lucy Griffiths) about Sayer. Another screen capture of the theatre for historic purposes. (RL)

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Gideon arrives at Mrs. Saparelli’s house. Noticing the end wall of the building to the right, Mike Bradford confirms this as Belmont Street in NW1.

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Pushing through the Press, the Chief Inspector enters the house where he finds the grieving mother. Facing north on Belmont Street, Chalk Farm.

Gideon and his men head back to Scotland Yard, stopping off at his house for lunch on the way.

Christopher Matheson places this as Commercial Road, London E1 at the Arbour Square and Albert Gardens junctions and provides this Google View as evidence.....proven! (RL)

Facing south on Old Bailey in the City of London EC4. Circa 1958

In the middle of his hectic afternoon, George is driven to court in one of the Met’s Wolseys. Facing south on Old Bailey in the City of London EC4.

Facing south on Old Bailey in the City of London EC4.

The new build is protected by bollards. (RL)

Outside the Central Criminal Court on Old Bailey Circa 1958

As his name is being called, the Chief inspector rushes into the building to give his evidence. Outside the Central Criminal Court on Old Bailey. The location also appears in 'Eight O'Clock Walk', 'The Walking Stick', ‘Dr. Crippen’, 'Links of Justice', 'Appointment with Crime', 'Murder in Reverse', 'The Verdict', 'Moment of Indiscretion', 'The Naked Edge', 'Brothers in Law' and 'Hostile Witness'.

Outside the Central Criminal Court on Old Bailey

The old building is protected by double yellow lines. (RL)

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For the earlier tip off, Detective Sergeant ‘The Duke’ Ponsford (John Loder) passes an envelope containing money to Herbert 'Birdie' Sparrow (Cyril Cusack). The top of the steps leading down to the platform at Aldwych station below the streets of WC2.

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Two hoodlums spot Birdy talking with The Duke as a train arrives in the platform. The platform and passageways of Aldwych station feature in many films including 'Inadmissible Evidence', ‘Creep’, ‘Death Line’, ‘V for Vendetta’, ‘Tube Tales’ and ‘Prick Up Your Ears’.

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Andy 'Simmo' Simpson (Dervis Ward) and Feeney watch as Birdy pushes through passengers to get onto the train. Aldwych station was on the Piccadilly Line at the southern end of a short branch from Holborn.

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The Duke turns to leave the station as the train departs. Opened in 1907, Aldwych station closed in 1994.

With a warrant in his pocket, Chief Inspector Gideon sets out to arrest Joanna Delafield. The colourful advertisements illuminate Piccadilly Circus in London W1.

And Coca-Cola remains dominant. (RL)

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After another call from Scotland Yard, George Gideon is driven back to the office by PC Simon Farnaby-Green, who used the concert ticket to see Sally perform, before Constable (Stuart Saunders) stops the car after it passes through a red traffic light.