Hidden Homicide

Date: 1959
Director: Anthony Young
Production Company: Bill and Michael Luckwell

Stars: Griffith Jones, Patricia Laffan, James Kenney, Bruce Seton
Location(s): London, Surrey

Region(s): ,

Storyline:

A man wakes up in a strange location with a gun in his hand and a dead body, not knowing how the whole thing happened. He doesn’t remember anything about the whole scenario.

Additional Information:

Screen captures and uncredited now shots uploaded by Richard Lovejoy.

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A man leaving a wooden bungalow with two girls

Having woken up in a strange cottage with a gun in his hand and a dead body of a man, Michael Cornforth (Griffith Jones) leaves with two girls that happen to have sought shelter and found the dead body.

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As they walk along the local lane away from the cottage they see an approaching car and hide in the long grass beside the road.

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A windmill in a small piece of open land

Realising that they should perhaps have asked for a lift they almost immediately see a windmill but choose to continue to walk to the station. I believe this to be Hurt Wood Mill, Ewhurst, Surrey, now Grade II listed and a private home.

Michael sees the girls onto a train as Jean Gilson (Patricia Laffan) waves to him from the window. PW advises that this Merton Park, also seen in 'Horror Hospital', Solo for Sparrow', 'Accidental Death' and 'The Frozen Dead'. The unit is a BR built Mk1 design 2EPB and Route Code 2 ran between West Croydon and Wimbledon. The line closed in 1997 although the Merton Park tram stop is nearby.

This is the nearby tram stop, which may have to do as a "now" for now. SJ

Having made his own way home he decides not to enter but to call on his neighbour Mungo Peddy (Charles Farrell) who could verify that he saw Michael go to bed. Albion Mews, Bayswater, London W2, this and all the other captures of the Mews identified by Ray Glenister.

A lot of changes to the mews so I can't guarantee 100% accuracy, SJ

A man approaching a door to a mews house in darkness.

He crosses what looks like a mews to another property, his own. Albion Mews, Bayswater, London W2

This is the west side of the southern section of the mews. SJ

Two men outside a mews house by an open top sports car. Albion Mews, Bayswater, London W2 Circa 1959

Having found a finger print on his cooker Michael calls in his old crime reporter friend Bill Dodd (Bruce Seton) who agrees to help. Ray resolves a long standing and 'annoying' unknown location to reveal Albion Mews, Bayswater, London W2

The background building is there, just hidden. SJ

A view down a mews with an open top sports car leaving and a girl approaching on foot towards the camera. Albion Mews, Bayswater, London W2 Circa 1959

As Bill drives off down the Mews who should be about to visit but Jean who Michael had asked “to keep in touch”. The Mews was also seen in 'Whispering Smith Hits Town' now known to be, thanks to Ray, Albion Mews, Bayswater, London W2

Again growth has rendered the curl of the wall almost invisible. SJ

A head and shoulder shot of a man and a woman meeting in front of mews premises. Albion Mews, Bayswater, London W2 Circa 1959

Was he pleased to see her? Albion Mews, Bayswater, London W2 again.

Looking north-west up the mews. SJ

Albion Mews, Bayswater, London W2 Circa 1959

As they decide to leave, Michael’s “char”, Mrs Dodge arrives. Albion Mews, Bayswater, London W2 thanks to Ray.

Now. SJ

Two plain clothes policemen interview a lady on the pavement outside an house and beside the police car.

As Jean leaves her home a police car pulls up and Ashbury (Robert Raglan) from the county police and Sergeant Wright (Richard Shaw) start to speak to her about her friend Marian (Maya Koumani) who has been taken to hospital and is telling the story about finding a body. Ray Glenister finds them chatting outside 34 Watery Lane, Merton, London SW20 with the doors of 32/30 visible behind them.

John Harwood found the hedge had become unruly. (SJ)

A lady with her back to camera approaches a gtelephone box with a post box to the left.

Having answered their questions and advising them that the man involved was a Martin Cornforth she immediately calls Michael from a convenient telephone box. Ray has now found the location to be the western end of Kenley Road where it meets Mostyn Road, London SW19. Both the post box and the telephone box were real and not props. The George V (GR) post box survives to this day. The K3 telephone box, painted white with red doors and red window surrounds, has, like so many of any design, long gone.

Peter Bywaters captured the same location confirming that the same post box remains, except for the stamp dispenser, but the K3 telephone box has indeed been lost. At least there is one link to the past.

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Two men approaching a timber bungalow away from camera.

Ashbury and Sergeant Wright visit the stated scene of the crime to interview the owner Martin Cornforth, who whilst not at home, is approaching from down the lane.

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The police return to their car, drive towards him and interview him about “the trouble he had on Sunday with two young ladies”.

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A close up of two men talking to each other.

Ashbury finds Martin (Michael in disguise) very vague about events, unless they mean about the young lady who mistook a mop for a dead body and was disturbed by his 12 bore. The sign to the Desborough Sailing Club, Ferry Lane, Shepperton reminded Lois Greer that her grandfather was a member there in the 60's and that she and her family spent many a happy weekend there as children while he sailed his dinghy up the Thames!

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Expecting more police involvement Jean leaves her lodgings. Peter Brown advises that the station is Teddington and this is the entrance on Victoria Road in Teddington, Surrey.

Antony Blair fights for position with a parked car.

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A man having just got out of his open top sports car approaches a windmill.

Discarding his disguise Michael makes his way from the house to the windmill to meet with Bill who has removed the body from the house. Hurt Wood Mill, Ewhurst, Surrey again.

A "char lady" is entering a mews house whilst a lady in a coat and with a suit case watches on. Albion Mews, Bayswater, London W2 Circa 1959

Jean has made her way to Michael’s Mews house to see Mrs Dodge leaving Mungo Peddy’s where she also cleans, to collect an iron from Michael's. As Ray Glenister tells us, Albion Mews, Bayswater, London W2

About here. SJ

Bill and Michael make their way back, Bill to his office, Michael to the Public Record Office to “check on Martin Cornforth”. The junction of Bushey Road and Grand Drive, Merton, London SW20

As might have been expected, Peter found a much changed and busier junction.

A young man with a bundle in his arms about to enter a residential house front door. Albion Mews, Bayswater, London W2 Circa 1959

As Jean waits on Michael’s doorstep she sees a young man leave Mungo’s. Albion Mews, Bayswater, London W2

No18 today which led to the late Lucy Rie's studio. SJ

A young man in a raincoat, running, having just turned the corner onto the pavement of a main road. Kingston Road at the junction with Quintin Avenue, London SW19 Circa 1959

Jean decides to follow him and the young lad picks up pace. Kingston Road at the junction with Quintin Avenue, London SW19

The mouth of a suburban road as it enters a major road. Kingston Road at the junction with Quintin Avenue, London SW19

He would have to avoid street furniture these days.

A man jumping on a bus just as it leaves its stop. Kingston Road, London SW19 Circa 1959

He hops onto a bus. Kingston Road looking towards The Rush.

Kingston Road, London SW19

Essentially the same scene notwithstanding the evidence of "progress".

Kingston Road, London SW19 Circa 1959

Jean follows in a conveniently available taxi. Kingston Road, London SW19

Kingston Road, London SW19

She would have had to catch a bus or maybe pre-book a taxi these days.

People alighting a bus and the road beyond. Kingston Road opposite Sandringham Ave London SW19 Circa 1959

The young lad alights the bus. For the record it is not the one he boarded! Kingston Road opposite Sandringham Ave London SW19

Doing my best to exclude the very large delivery van.

A man walks towards camera entering a mews through a covered entrance. Albion Mews, Bayswater, London W2 looking towards Albion Street Circa 1959

Meanwhile Michael enters his mews. Albion Mews, Bayswater, London W2 looking towards Albion Street.

Looking west at the north end of the mews. SJ

Albion Mews, Bayswater, London W2 Circa 1959

As he turns the corner he sees the police and someone points him out. Albion Mews, Bayswater, London W2

And I turned left and south for this verdant view. SJ

Michael dodges to hide behind a wall as the police give chase. Roger Armstrong identifies this as Hartfield Crescent, London SW19 as seen from Dundonald Road. The street lamp remains in the same place, the trees have grown and the properties have been smartened up over the years.

John Harwood notes the trees have grown and the chimneys lost... Indeed it looks like some rebuilding to the left, and, looking at Google, there is also a very recent infill to the right. (SJ)

A woman following a man down a domestic road of terraced houses with bay windows.

The young lad turns to enter a house as Jean watches unseen. With the aid of Roger's identification of the previous capture this appears to be Goodenough Road, London SW19. with Jean outside the gate to No 4.

John H. found a much more tree-lined street. (SJ)

A close up of a young man and a woman talking.

They meet on his doorstep and he introduces himself as Oswald Castellan (James Kenney), “also a friend of Michael Cornforth”. The shadow of the telegraph pole and the number on the door would suggest they are at No 12 Goodenough Road, London SW19.

John went to number 12. (SJ)

A deserted domestic suburban road with a police car driving away from camera. Wilton Crescent, London SW19 Circa 1959

The police continue to comb the streets. Wilton Crescent, London SW19

A deserted tree lined domestic suburban road. Wilton Crescent, London SW19

Still a quiet leafy suburb.

Merton Hall Lane, London SW19 Circa 1959

Michael continues to run. Merton Hall Road, London SW19 in front of the parade of shops which can also be seen in 'Konga', 'The Grand Junction Case' and 'Dead Man's Chest'.

Three shop fronts, the pavement, a waste bin, bagged rubbish and parked cars. Merton Hall Lane, London SW19

The best possible shot given all that was going on at the time . . . and subsquently, but the inspection covers remain to confirm the location.

A man stands, feet apart, transfixed as he sees a police car approaching. Merton Hall Lane, London SW19 Circa 1959

Until he hears and sees a police car coming towards him and stops outside No. 122 See PO Box in pavement.

Merton Hall Lane, London SW19

It has rather ended up as a then and now of the PO Box.

Merton Hall Road., London SW19 Circa 1959

The police get nearer. Merton Hall Road.

Merton Hall Road, London SW19

Oh, for those days of clear roads.

A police car making a very hasty turn around a very small roundabout at a junction of suburban roads. Junction of Wilton Crescent and Fairlawn Road, London SW19 Circa 1959

After he doges into a doorway the police supposedly pass him but this junction isn’t near him. Junction of Wilton Crescent and Fairlawn Road, London SW19

Junction of Wilton Crescent and Fairlawn Road, London SW19

No longer a roundabout.

A man hastily leaving an house with the lady occupant clearly unhappy.

The lady is not amused and chases him out of 122 Merton Hall Road threatening to call the police.

Merton Hall Lane, London SW19

She seems to have rather let her hedge grow.

A "woody" station wagon in front of the Diana Fountain, Bushy Park.

Oswald agrees to take Jean to see Michael, “it might cheer him up”. Passing the Diana Fountain, Chestnut Avenue, Bushy Park, Hampton

A brighter day, a grubbier fountain, 64 years later. (SR)

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They arrive at a Thames side location as Oswald tells Jean that Michael is on a friend's houseboat…..

Two men walking towards camera down a public footpath. Merton Hall Road opposite Henfield Road. Circa 1959

....just as Michael starts to emerge from a pathway… Merton Hall Road opposite Henfield Road.

Merton Hall Road opposite Henfield Road, London SW19

A more open environment now.

A police car closely approaching camera in a suburban road. Wilton Crescent, London SW19 Circa 1959

...…and sees a police car. Wilton Crescent, London SW19

Wilton Crescent, London SW19

Quiet enough to stand in the road for this shot.

A man standing on the pavement edge as a taxi approaches towards him in a suburban domestic road.

Then finds a convenient passing taxi. Identified as Merton Hall Road just outside Wimbledon Chase Primary School by Peter Bywaters.

Peter provides this comparative shot to support his identification.

A man about to enter an open top sports car that is waiting for him outside a Southern Railway station. Wimbledon Chase Station. Circa 1959

Michael learns from Bill that Mungo has been killed with an electric iron with Michael’s name on it and waits at the station for Bill to collect him. Wimbledon Chase Station.

Wimbledon Chase Station.

We seem to be less proud of saying who is running what now.

A policeman foreground facing camera about to get his notebook out of his breast pocket with a road and train railway bridge crossing road behind him. Outside Wimbledon Chase Station. Circa 1959

A suspicious policeman (John Watson) records Bill’s registration number.

Outside Wimbledon Chase Station

I don't think anyone was suspicious of my activity.

A view down a pavement from the stage door of a theatre and a "woody" motor car parking. Russell Road, London SW19 Circa 1959

Whilst the police now seek the car in order to catch up with Michael, he and Bill are on their way to see an act at a theatre performed by the deceased's wife who now stands to inherit. Russell Road, London SW19, a street that also appears in 'The Strange Case of Blondie'.

Russell Road, London SW19

From ground level.

A full frontal of an open top sports car parked as two men exit, one either side. Russell Road, London SW19 Circa 1959

They park up…… Russell Road, London SW19

Russell Road, London SW19

I should have been further back had it not been for parked vans........

Two men about to climb a small flight of steps into a theatre with double doors. Wimbledon Theatre, The Broadway, London SW19 Circa 1959

…..and enter the theatre to watch an act performed by Martin Cornforth’s wife (aka Oswald Castellen). Wimbledon Theatre, The Broadway, London SW19

Wimbledon Theatre, The Broadway, London SW19

With added handrails.

A view down a pavement from the stage door of a theatre and a "woody" motor car parking as a woman is about to enter the drivers seat. Russell Road, London SW19 Circa 1959

After “Colorado Kate” (aka Oswald Castellan) sees Bill and Michael in a box "she" makes a hasty escape.

Russell Road, London SW19

yes......those vans!

Twqo men leaping into an open top sports car as a police car draws to a speedy halt in front of them. Russell Road, London SW19 Circa 1959

Bill and Michael give chase.

Russell Road, London SW19

From ground level.

A police car going from left to right as bystanders watch the action as we view with the theatre entrance steps just visible on the left. Russell Road, London SW19 Circa 1959

Naturally, followed by the police.

Russell Road, London SW19

Rather changed background businesses.

A "woody" van takes a sharp left hand turn as we look at the "Y" shaped junction.

“Colorado Kate” drives into the countryside, she takes a tight bend...... Pitch Hill turning into Peaslake Road. The "woody" was also used in the 'Crooked Sky'.

Pitch Hill turning into Peaslake Road.

For once a "Road Closed" works in or favour.

An open top sports car about to make a right hand turn in front of camera. A signpost left of picture.

........followed by Bill and Michael, and of course, the police but they are turning out of Pitch Hill turning into Peaslake Road!

Peaslake Road turning into Pitch Hill.

I have no idea how I would have managed these shots had parking not been made available for me.

As “Colorado Kate” passes a pub Bill and Michael clearly have her in their view. “The Windmill”, Pitch Hill, Surrey GU6 7NN

“The Windmill”, Pitch Hill, Surrey GU6 7NN

And we only stopped for the photo.

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A "woody" van turning off the road in front of bare trees behind which is a large house.

She pulls off the road near a large house in the trees to make her escape on foot.

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As the road slopes away to the left an open top sports car goes away from camera. There are bare trees to the right behind which are houses.

Bill and Michael miss the event and drive by. The police have lost them both.

A very dark picture of a man and the front of a car outside a public house.

Now dark, Bill and Michael pull up at a pub for a couple of whisky’s” and find the landlord knows all about Kate who lives on a boat with a young man.

Whether Peter Bywaters stopped by just for this shot we may never know.

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They “have a hunch” and find the boat along with the station wagon parked up.

A walkway across a weir with rushing water. Shepperton Weir Circa 1959

As they board the boat, Kate jumps ashore and runs. Shepperton Weir to Hamhaugh Island.

Shepperton Weir to Hamhaugh Island.

With sincere thanks to, Lock Master, Alan Crawford for showing me the direction and allowing me access to this private property.

A woman on a weir about to jump into the rushing waters. Shepperton Lock Circa 1959

Cornered by the police “she” prepares to jump as Michael takes his coat off to save "her". Shepperton Lock

Shepperton Lock

No "jumpers" today.