Marseille Contract, The

Date: 1974
Director: Robert Parrish
Production Company: Kettledrum Films, PECF

Stars: Michael Caine, Anthony Quinn, James Mason, Maurice Ronet, Alexandra Stewart, Maureen Kerwin, Catherine Rouvel, Marcel Bozzuffi
Location(s): Alpes-Maritimes, Bouches-du-Rhône, Paris

Region(s):

Storyline:

When an Intelligence Agent is unable to bring a ruthless drug baron to justice he resorts to hiring a contract killer.

Additional Information:

Page compiled by Phil Wilkinson

Also known as ‘The Destructors’ (US Title)

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Frank Matthews (Robert Rondo) walks through a dark Parisian street . . . a car engine starts.

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After following the Undercover Agent for a few metres, the car speeds up.

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Matthews is crushed between the car and the railings at the end of the road.

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Identifying Matthews at the morgue, Steve Ventura (Anthony Quinn), a senior officer of the US Drug Enforcement Administration, is followed from the building by Joe Kovakian (Patrick Floersheim).

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After listening to the menu for a charity dinner, Lucienne Brizzard (Maureen Kerwin) tells her Father that it would take a hand grenade to get some of the guests to open their purses. The garden of Villa Medy-Rock on Boulevard J. F. Kennedy at Cap d'Antibes in Alps-Maritimes.

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Jacques Brizzard (James Mason) asks his mistress, Madame Apkar (Catherine Rouvel), what she thinks of the food. Facing Villa Medy-Rock at 145 Boulevard J. F. Kennedy, Cap d'Antibes.

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Later that day, Ventura returns to the office that he hates where his secretary Sally reads out the telephone calls he has received. The US Embassy at number 2 Avenue Gabriel in Paris 8eme.

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The worse for drink, Ventura makes his way from the house where his boss Fred Williams is playing poker.

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A Citroën DS 20 comes to a stand alongside Ventura before two Men approach and persuade him to get in.

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In the back of the car, Ventura sits in silence next to Jerry Wilson (Pierre Koulak). Manuel Gurtner identifies this as coming from Rue du Bac, the car turns into what was then Quai Anatole-France, now Quai Valéry Giscard D'Estaing, and drives towards Gare d'Orsay, while the still existing La Frégate restaurant can be recognized through the rear window. (RL)

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Jean-Claude Fortuit (Jean-Louis Fortuit) and Wilson set off in pursuit when Ventura makes a run for it after the car comes to a halt in traffic. This must be, say Manuel, on Quai Voltaire, between Pont du Carousel and Pont Royal, as we can see at the opposite Seine enbankment the two turrets of the Pavillon de La Trémoille, the southern gateway to the Place du Carousel onto the Louvre site. (RL)

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Ventura makes his way into a railway station. Gare D'Orsay in the 7th arrondissement of Paris.

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Kurt Rossovitch (Jerry Brouer) parks the car closer to the station. Looking south-east along Quai d'Orsay with the former Gare d'Orsay to the right.

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Ventura makes his way to the platforms and boards a train that's about to leave. Beyond the doors is the ramp that takes passengers to Rue de Lille near the corner of Rue de Bellechasse.

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Fortuit and Wilson enter the station. Gare D'Orsay, dating from the year 1900.

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Spotting Ventura sitting on the train, Fortuit whistles to his partner Wilson. The end of the terminus platforms at Gare D'Orsay.

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Jumping from the departing train, the Henchmen fire at Ventura. Within Gare D'Orsay.

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Ventura closes a door after making his way up from the tracks. Gare d'Orsay, where similar doors can be seen in 'The Trial'.

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Making his way further up inside the station after finding a locked gate, Ventura watches his pursuers from above. Looking down onto the platforms at Gare d'Orsay on Rue de la Légion d'Honneur in the 7th arrondissement. The station closed to main line traffic in 1939 with suburban trains continuing to run until the 1970s.

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Fortuit searches the level above the platforms. The train shed at Gare d'Orsay. The terminus was repurposed and reopened in 1986 as Musée d'Orsay and can also be seen in 1962's 'The Trial' as well as 'The Conformist' from 1970.

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Ventura emerges on the station's roof. The roof of Gare d'Orsay with the dome of Saint-Louis-des-Invalides Cathedral, the spires of Sainte-Clotilde and the Eiffel Tower crossing the skyline.

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Making his escape, Ventura identifies his captors to Inspector Briac who tells the American that they work for Brizzard. The roof of Gare d'Orsay above the River Seine with the Louvre Museum on the far bank.

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After an unofficial meeting is arranged by Inspector Briac, a Figure approaches while Ventura waits in a park. Parc des Buttes-Chaumont in the 19th arrondissement of Paris.

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Pausing for a moment, John Deray (Michael Caine) watches the Children on a roundabout. Parc des Buttes-Chaumont.

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Ventura sits reading a newspaper. Avenue Edouard Petit in Parc des Buttes-Chaumont with the Temple de la Sybille visible trough the tree's branches.

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A Stranger walks by before Ventura signals by waving his handkerchief. The junction of Avenue Edouard Petit, Avenue de la Alouettes and Avenue de la Cascades in Parc des Buttes-Chaumont with the Rosa Bonheur bar in the background.

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Brizzard's right hand man Calmet (Marcel Bozzuffi) is driven to an out of the way garage. St. Martin du Var, Alpes-Maritimes advises IMDb.

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Lazar (Vernon Dobtcheff) walks over to Calmet and invites him into his office.

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After Lazar is informed of a large shipment of morphine arriving on the 18th, Calmet gets back into the Alfa Romeo

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In his Plymouth Fury, Ventura pulls up behind a taxi standing outside the apartment block where Mrs. Matthews lives with her son Kevin. Looking north on Avenue de Breteuil in the 7th arrondissement with the dome of Hôtel des Invalides in the distance, identified by Simon Place.

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Rita Matthews (Alexandra Stewart) appears from the building and gets into the taxi with Kevin before saying goodbye to Ventura, the man she has been having an affair with. Simon Place found that this is facing the doorway to number 60bis Avenue de Breteuil.

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Hired by Ventura for $50,000 to kill Jacques Brizzard, assassin John Deray drives to Marseille. The city of Marseille seen from the vicinity of Col de la Gineste in Bouches-du-Rhône.

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Deray reaches the harbour. Quai du Port in Marseille alongside Vieux-Porte de Marseille.

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The Alfa Romeo Montreal is brought to a stand on the quayside and the Hit-Man gets out. Quai du Port with Basilique Notre-Dame de la Garde to the top left beyond Vieux-Porte de Marseille.

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Deray walks over to his hotel. Hôtel La Résidence at number 18 Quai du Port Marseille.

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Inside his room, Deray looks at photographs as he prepares to complete his task. The upper floors of Hôtel La Résidence on Quai du Port, Marseille 2ème.

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Back in Paris . . . Boulevard de la Chapelle at Rue de Tombouctou on the border between the 10th and 18th arrondissements with the bridges carrying Line 2 of the Metro.

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The shot pans left with a passing train as it travels above Boulevard de la Chapelle to La Chapelle station located beyond the railway running north from Gare du Nord.

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Ventura makes his way towards a pissoir. Under the bridge carrying ligne 2 along Boulevard de la Chapelle.

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When he reaches the urinal, Kovakian greets Ventura before telling him that he might be able to nail Brizzard. Facing buildings on Boulevard de la Chapelle in the 10th arrondissement.

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Kovakian points out Minierini (Georges Beller), an informant. Beneath the bridge carrying Metro Line 2 along Boulevard de la Chapelle.

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Approaching Minierini, Kovakian tells him that the man in the pissoir is the one with the money. Looking towards Rue de Chartres in the 18th arrondissement

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Followed by Deray, Brizzard's daughter Lucienne returns to Marseille after the pair show off their driving skills on mountain roads.

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Lucienne's Porsche 911 speeds along the road before coming to a halt in a parking bay. Porto Canto in Cannes, Alps-Maritime.

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Passing the Porsche, a loud squeal screeches out as Deray skids whilst turning. Boulevard de la Croisette in Cannes with apartments at the corner of Avenue Tristan Bernard forming the background.

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Lucienne holds her hands over her ears. Porto Canto, with the Club House dating from July 1967 in the background.

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Deray and Lucienne talk cars over lunch at an exclusive Yacht Club. The Club House restaurant at Porto Canto.

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Learning from Minierini that a ship was due in Marseille on the 18th carrying 400 kilos of morphine from Turkey, Ventura tells Briac that he's had no word from Deray and wants to cancel the contract. Looking along the River Seine from Passerelle Debilly with Pont de l'Alma in the background.

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Ventura asks Briac to have Deray arrested. The camera zooms out to reveal Passerelle Debilly running between Quai de New York and Quai Branly along with the Eiffel Tower.

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Deray arrives at the gateway of Brizzard's villa. Boulevard J. F. Kennedy in Cap d'Antibes with the entrance to Villa Medy-Rock on the right.

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Allowed through the gates after telling the Security Guard that he is Mr. Davos and that Miss Brizzard is waiting for him, Deray drives up to the villa. Villa Medy-Rock at Cap d'Antibes in Alps-Maritimes.

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Deray makes his way to the front door to be let inside by Lucienne. Villa Medy-Rock at 145 Boulevard J. F. Kennedy, Cap d'Antibes.

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Lucienne takes Deray to her Father who introduces him to Countess d'Orville (Hella Petri) and Madame Apkar. The rear terrace of Medy-Roc at Cap d'Antibes.

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Fargas (Edward Marcus) makes his way to a fruit and vegetable stall. Place de Lenche in the 2nd arrondissement of Marseille with Montée des Accoules to the left.

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The camera moves with the Policeman as he crosses the open space. Facing south on Place de Lenche.

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Fargas buys tomatoes before sitting down next to Fournier (Gib Grossac) who tells him that a large shipment will arrive on the 18th. The west side of Place de Lenche in Marseille.

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Taking Deray with him after learning his real name, Brizzard is driven to one of his new buildings. Looking south-west on Avenue du Prado in Marseille's 8th arrondissement.

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Getting out of Brizzard's Rolls Royce, Deray looks up at the unfinished block. Le Grand Pavois on Avenue du Prado, Marseille.

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Brizzard and Deray take the slow works elevator to the top of the building. Le Grand Pavois in Marseille.

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Asked why he has lied about who he is, Deray agrees to kill someone for $50,000. Le Grand Pavois on Avenue du Prado with Basilique Notre-Dame de la Garde visible in the right distance.

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Deray eyes up Minierini before walking over to him and calmly pushing him off the building. The roof of the incomplete Le Grand Pavois on Avenue du Prado.

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Believing Deray to be dead, Ventura takes the train to Marseille where he hires a taxi from outside the station. Square Narvik outside Marseille Saint-Charles station with the sign of the Hotel Splendide at 31 Boulevard d'Athènes to the left.

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Ventura is taken to the city's police headquarters. Place de la Major in the 2nd arrondissement of Marseille

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Inside the building he discovers from Marsac that the local police already know about the consignment of drugs and that they have Brizzard under 24 hour surveillance. Marseille Cathedral on Place de la Major.

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That evening Deray is flown to meet Rouget before the pair go to a rendezvous where they signal to the Driver of a Citroën.

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Deray and Rouget (Jean Bouchaud) leave their hideout to meet the car.

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A gun fight ensues during which the police Citroën is set alight.

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Deray escapes from the scene in a Fiat van and drives through the night back towards Marseille.

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The shot pans with the van as a police Peugeot 404 starts to follow.

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Crossing the terre-plein central, Deray drives the van into the opposite lane and makes his escape.

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Dumping the van, Deray continues his journey by train. Sharp eyed Manuel Gurtner spots, obviously, that this is not the train back to Marseille, because we see 1960s stock footage from Switzerland, as the catenary type proves too. The inland express train by Swiss Federal Railways (SBB) bound for Lausanne, Canton au Vaud, provides 1st class and 2nd class lightweight type coaches of SBB standard design EW I. Filmed outside the market town of Villeneuve, Canton of Vaud, located at the eastern end of Lake Geneva.

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In Marseille, Rossovitch and Henri (Georges Lycan) check passengers arriving by train. Marseille Saint-Charles station on Square Narvik, Marseille 1er. Manuel comments that not only the platform display for the arrival of Rapide 5112 from Lyon shown before seems to be fictitious. Neither in the CHAIX timetable of the French State Railways (SNCF) from 1972 nor in the CHAIX edition from 1975 can such a train connection be found. So he is pretty sure, that we see a movie train pulling into the terminus station, with Co'Co' type DC electric loco of SNCF Class CC-6500 ahead, while next to it Bo'Bo' type DC electric loco of SNCF Class BB-9200 is visible. (RL)

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From the carriage window, Deray spots Henri and Rossovitch. The concourse at Marseille Saint-Charles station. terminus of the PLM line from Paris.

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Deray gets off the mail trolley that he was hiding on and walks from the station. Marseille Saint-Charles station in the 1st arrondissement.

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Outside the station, Calmet is waiting in his Mercedes-Benz. Gare de Marseille-Saint-Charles dates from 1848 and stands on Square Narvik.

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Slamming the car door shut on Calmet as he gets out, Deray steals a motorbike. Square Narvik with Gare de Marseille-Saint-Charles as the background.

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Deray speeds across the square outside Gare de Marseille-Saint-Charles station . . .

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. . . and down Escalier Gare Saint-Charles.

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Driving to the top of the steps, Calmet gets out of the Mercedes. Looking along Boulevard d'Athènes from Square Narvik.

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Calmet watches Deray rides down the steps to the street below. Escalier Gare Saint-Charles descending from Square Narvik to the junction of Place des Marseillaises and Boulevard d'Athènes.

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Deray disappears into narrower streets. Looking into Rue Philippe de Girard, Marseille 1er.

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Checking out of his hotel, Deray makes his way through the back streets of the city. Rue Font des Vents with Montée des Accoules across Place de Lenche in the left background.

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A room in a less salubrious but safer establishment is taken. Rue des Ferrats running between Rue Font des Vents and the junction of Rue Saint-Thomé and Rue Saint-Laurent.

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Following a failed ambush, an ambulance carries Henri's body away after Deray shoots him. Porto Canto in Cannes with apartment blocks beyond Square du 8 May 1945 and Boulevard de la Croisette in the background.

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The ambulance passes Brizzard's Phantom V as it arrives outside the Yacht Club. Once the haunt of a wealthy clientele, the Club House at Porto Canto was demolished in the 2010s and is now the site of a car park.

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Marsac (André Oumansky) tells Ventura that two men involved in a drug related shooting a few nights ago worked for Brizzard and that a third man was recognised as Deray. Quai du Port in the Old Port, Marseille with the Basilique Notre-Dame de la Garde in the distance.

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After a failed attempt on Deray's life by Rossovitch, the Hit-Man meets Ventura and the two head for the Buenos Aires Bar where Brizzard is expected to be.

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Ventura and Deray look through the windows of the bar and see Fortuit inside.

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Fortuit leaves the bar and lights a cigarette before being killed by Ventura.

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Ventura and Deray make their way to a derelict building where they find Brizzard's Rolls Royce and a shipment of drugs being loaded into a helicopter.

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Briac and his Helicopter Pilot (Dominique Gilles) hold Brizzard and Calmet at gunpoint.

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When Brizzard's Henchmen start firing, Ventura and Deray break cover.

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Leaving Deray's body behind, Ventura walks from the ruins.

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After fulfilling his mission, Ventura lights a cigarette. Looking along Vieux-Porte de Marseille from Quai des Belges in Marseille.

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The US Drug Enforcement Officer turns and walks away before the end titles roll. Quai des Belges in Marseille, Bouches-du-Rhône.