Date: 1979
Director: Lewis Gilbert
Production Company: Danjaq, Eon

Stars: Roger Moore, Lois Chiles, Michael Lonsdale, Richard Kiel, Corinne Clery, Bernard Lee, Geoffrey Keen
Location(s): Venice, Italy, France, Rio, Brazil, Paraguay, Guatemala, Florida and California, USA: some of these interior or aerial shots.

Region(s): , , ,


Madman want to wipe out population and start again. An excuse for Bond to go into outer space. SJ

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Bond's helicopter arrives at Vaux-le-Vicomte, Seine-et-Marne, France: an aerial trick shot places this pile right in the Californian desert, the Mojave.

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Moore and Clery at the stately mansion. Also used in the diCaprio version of Man in the Iron Mask. Open to visitors.

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Moore and Clery in the Pompidou Centre, Paris

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Lonsdale and Moore in the gardens of Vaux-le-Vicomte in front of the Hercules statue.

Moore arrives in Venice.

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Gloomier day. SJ

Moore in the Piazza San Marco, Venice.

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Now. RJ

Venini Glass, still in business, to the west of the Basilica San Marco just off the piazza.

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Wrong angle but here's the showroom with its blind up. SJ

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Chiles and Moore by the canals. Martijn Mulder puts this near the Fondamento della Misericordia in his excellent book On the Tracks of 007.

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Moore in the gondola soon to become a "Bondola."

Stunt/gunman falls into the lagoon, with a nice view of the Isola di San Giorgio Maggiore.

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From the Piazzetta San Marco. SJ

Supposedly the back of Venini. Actually it's near the Fenice Theatre much further to the west.

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Think I'm rather pleased to have found it. Actually a gondolier recognised the bridge right away from the photo I took from the TV in the days before screen grabs. SJ

Lee and Moore.

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And this is an update of the same area. The Fondamenta della Fenice, also seen in Death In Venice, southwest of the Teatro La Fenice. SJ

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A tough one. The alleyway in Rio where Moore saves Emily Bolton from Kiel.

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Moore on Sugarloaf Mountain.

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Moore enjoys the nice vista of Rio from Sugarloaf Mountain.

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Moore and Chiles await the cable car.

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Fake ambulancemen knock out Moore and abduct Chiles after they jump from the cable. At the end of the Trilho Claudio Coutinho, a footpath at base of the cable car base station. Information from Mulder's book, see above.

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Bit of unsubtle product placement. Moore turns around and heads up the road with a view of Corcovado Mountain from where Christ the Redeemer overlooks the city.

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Supposedly out in the countryside. Moore dismounts in the next cut but this could be a stuntman in this shot. The interior (MI6 headquarters) was the San Nicolo Monastery, Venice, Lido, according to imdb, who may have received the info from Mulder who puts this at the base of Rio's Corcovado, the Largo do Boticario.

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Temple 1 of the Tikal National Park, Guatemala, and there's an actress bottom left. The rest of the film is set in space and therefore interiors.