Peeping Tom

Date: 1960
Director: Michael Powell
Production Company: Michael Powell (Theatre)

Stars: Karlheinz Böhm, Moira Shearer, Anna Massey, Maxine Audley
Location(s): Buckinghamshire, London

Region(s): ,

Storyline:

A scoptophiliac serial killer uses a film camera to record his victims’ dying expressions of terror,

Additional Information:

Originally added in the early days of the site, now with new and more screen captures along with a narrative by Phil Wilkinson

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If you have any information regarding this production, the locations or, even better, some comparison shots please contact us. Images submitted must be in Landscape orientation, as would be seen on the cinema screen, not Portrait.

We are aware that there are films on the site that were added when the criteria for the inclusion of locations was very different from today and, as a result, there may be scenes missing from some productions. Please do not forward additional screen captures to us but bring the detail to our attention, for we do, and are, 're-addressing' these older entries as time allows.

  • 'Now' required

In a darkened street, Mark Lewis sets his small movie camera running as he approaches Dora (Brenda Bruce). This appears to be a combination of studio set and matte shot featuring Rathbone Place in London W1.

Telling Mark that it'll be two quid, the Prostitute is filmed as she leads him to her flat. Facing Newman Passage on Rathbone Street W1.

Newman Passage in a different light. PW

At home, Mark Lewis (Karlheinz Böhm) watches the 16mm film of him murdering Dora. On set at the corner of Percy Passage and Rathbone Street.

The real location at the corner of Percy Passage and Rathbone Street. PW

Returning to the scene of the crime, Mark is approached by a Small Man (John Barrard) as he continues filming. Rathbone Street W1 with the Duke of York public house at the corner of Charlotte Place in the right distance.

Rathbone Street confirmed by one of our regular contributors, Russell Groves.

Telling the Man that he's from the Observer, the killer pauses to adjust his Bell & Howell camera. Facing south-east on Rathbone Street.

Facing the same direction. SJ.

A Newspaper Photographer records Dora's body being taken away. Newman Passage, which also appears in 'It Happened in Soho', 'Flannelfoot', 'Das Geheimnis der gelben Narzissen', 'Last Night in Soho' and 'The Frightened City' as well as an episode of television's 'New Tricks' where the upstairs, over the Newman Arms public house was used.

Russell Groves captures the creepy aspect of this narrow passage.

Moving to an alleyway, Mark restarts his camera. Looking towards Newman Passage and the Newman Arms across Rathbone Street from Percy Passage.

The view from Percy Passage by Russell Groves.

The unmarked private ambulance drives away. Rathbone Street in W1.

Another good match by Russell Groves.

Parking his scooter, Mark arrives outside Mr. Peters' shop where he works part-time as a photographer taking illegal "views" of models. The corner of Rathbone Street, Rathbone Place and Percy Street in Bloomsbury.

Facing 29 Rathbone Place. SJ.

A change of use is apparent. PW

  • 'Now' required

After showing old films that disturb his neighbour Helen Stephens, Mark Lewis (Columba Powell) appears in footage where he is handed a camera by his Father (Michael Powell).

  • 'Now' required

Cast and Crew leave Chipperfield Studio following a days work while focus puller Mark remains behind with stand-in Vivian after arranging to make a film with her. The former Gatehouse at Pinewood Studios, now Double Lodge, on Pinewood Road at Iver Heath in Buckinghamshire.

After Vivian's body is discovered, Mark takes Helen Stephens (Anna Massey) out for the evening. The since demolished number 5 Melbury Road in W14.

The location now. SJ

  • 'Now' required

On their way to dinner, the pair talk as they walk before Mark pauses and stares at a Young Couple kissing in the shadows. Melbury Road with number 5 in the background.

The next morning, Helen watches Mark leave the house. Looking from outside number 5 Melbury Road with number 6 to the top.

A view from the rebuilt no.5 looking onto Melbury Road. SJ

Leaving the studio, the voyeur waits for Helen to finish work . . . tailed by a Detective. Claremont Road NW2 says SJ. Indeed says Ray Edwards, the tower block Clare Point, the appearance of which has changed following refurbishment but the door and window configuration remain the same. (RL)

Becca Andrews visited the location to capture the scene now.

  • 'Now' required

Helen leaves the library and spots a figure across the road. Found by Steve Crook and confirmed by Mark Amies, this is outside Whitefield Secondary Modern School on Claremont Road in Cricklewood.

  • 'Now' required

When Helen hurries away Mark moves on, followed by the Detective. Facing Clare Point on Claremont Road in Cricklewood, recognised by Steve Crook and Mark Amies.

Mark arrives outside the Newsagent's where he has made arrangements to take photographs of Millie. Looking eastward from the corner of Rathbone Street and Percy Street with Rathbone Place to the right.

28 Rathbone Place at the corner, taken by Russell Groves.

Sixteen years on from the previous comparison. PW

Stating his camera, Mark films the buildings around the shop. The junction of Rathbone Street, Percy Street and Rathbone Place which can also be seen in 'I Was Happy Here' and 'Last Night in Soho'.

With Tottenham Court Road in the left distance. PW

  • 'Now' required

Noticing the time, Mark puts his camera away and enters the shop.

Detective Baxter (Keith Baxter) turns as the shop door closes. The northern end of Rathbone Place W1.

On a Sunday morning. PW

Mr. Peters (Bartlett Mullins) leaves the premises, watched by Baxter. The corner of Percy Street, Rathbone Street and Rathbone Place.

Taken by Russell Groves from a similar position.

An updated comparison facing number 29. PW

Detective Baxter waits across the road as Millie begins to pose. Looking along Percy Street from the corner of Rathbone Place.

In the left distance stand buildings on Tottenham Court Road. PW

When Mark appears and gets onto his scooter, the Detective hails a cab. The junction of Rathbone Street, Percy Street and Rathbone Place.

For a change, no vehicles in shot. PW

Mark arrives home to find Helen watching the films he has made of his victims. The side of number 5 Melbury Road in West Kensington, now demolished to make way for an apartment development called Farley Court, with number 8 in the background, where Michael Powell once lived.

Facing number 8 Melbury Road with Michael Powell's blue plaque beneath that of Marcus Stone. SJ

Soon after Chief Inspector Gregg is alerted to Millie’s death, a police car hurries to Mark's house. Abbotsbury Road, approaching the corner with Melbury Road.

The topline in the mid to left background matches well here. SJ

Around a corner, the Chief Inspector and his Detective get out of the car. The street outside 5 Melbury Road.

While the terrace on the left has been replaced, The Tower House and Woodland House at the end of the road remain. SJ

Chief Inspector Gregg (Jack Watson) and Baxter approach the gateway to the murderer' home. Outside number 5 Melbury Road W14.

The same chimney survives on the left, obscured by foliage. SJ

Detective Sergeant Miller (Nigel Davenport) joins his colleagues just as Mark breaks an upstairs window and starts filming. The gateway to 5 Melbury Road, West Kensington.

Trust me on this, or prove me wrong! SJ