Traitors, The (1962)

Date: 1962
Director: Robert Tronson
Production Company: Ello Production, James O"Connolly Productions

Stars: Patrick Allen, Jacqueline Ellis, James Maxwell, Zena Walker, Ewan Roberts, Harold Goodwin
Location(s): Buckinghamshire, London

Region(s): ,

Storyline:

Espionage story telling how British and American security agents outwit ruthless and cunning traitors trying to steal secret project plans.

Additional Information:

Film provided by William Salter, screen captures and uncredited “now” shots uploaded by Richard Lovejoy.,

 

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A view over a city scape.

An overview of a city with a distinctive building in the foreground.

Aerial view of London with UCL Wilkins Building central focus.

Ray Glenister provides the answer, The Wilkins Building, University College London, Gower Street, London WC1 supported by a capture from Google Earth. We are not likely to do better than that!

  • 'Now' required
A view over a city with a main road center top to bottom

The camera pans the skyline and settles on a road…… North Gower Street, London NW1 says Ray looking north.

  • 'Now' required
A close up of a major road with traffic from above

…before focusing on a car travelling towards the camera. Ray places the car as in North Gower Street, London NW1 opposite the junction with Euston Street.

From inside the Reception of an office building we see the car approaching. That has to be an identifiable underground station in the center background, indeed, Identified by Ray Glenister as that of Euston Square on the corner of Euston Road and North Gower Street and subsequently confirmed by Peter Ayton.

Replacing Ray's 2018 GEV. Looking directly north. SJ

It pulls up outside and John Lane (Patrick Allen) and Col. Burlinson (Ewan Roberts) get out to visit General Waring of the American Secret Services. The building and approach has been totally re-developed and absorbed into the expanded University College Hospital.

Panning right to take in more of Euston Road. SJ

Burton (Jack May) a suspect worker on the “Tiger Project” leaves for a break, “out on the town”. Antony Blair advises that this is the gateway and building adjacent to the old main entrance to Pinewood Studios on Pinewood Road in Iver Heath, Buckinghamshire.

Facing south at the same location by Antony.

A car driving down a lane on the wrong side of the road and a ladder against a telegraph pole to the left.

As he drives off down the road a “telephone engineer” up the ladder reports his departure . . . . Looking south on Pinewood Road, Iver Heath located by Antony Blair.

Evidence from Antony.

A man reading a newspaper leaning against a car parked on a roundabout

. . . . to an agent waiting at a roundabout . . . Recognised by Antony, this is looking onto Pinewood Road in Iver Heath, Buckinghamshire from the car park of the Crooked Billet public house.

Taken from roughly the same spot by Antony.

. . . . who has him in his sights. Antony Blair identifies this as looking north-west from the Crooked Billet on the A412 Uxbridge Road.

And here's Antony's proof.

Establishing that Burton spends a short period at a cinema, arrangements are made to be there the next time he “goes out on the town”. The former Grange Cinema, Messina Avenue and Kilburn High Road.

Kilburn High Road from the corner with Messina Avenue

The "cinema" frontage has changed with its usage, now the "UCKG 24hr Help Centre".

A man sitting in the back of a car to out to his left.

Lane patiently waits for Burton to arrive and sees a taxi drawing up outside the cinema.

Kilburn High Road from the corner with Messina Avenue

You would severely restrict traffic flow if you parked there now.

A close up of a man about to pay a taxi driver.

Burton pays off the driver.

Looking across Kilburn High Road, London to Burton Road

Equally, it would be very difficult to be dropped off there now.

A man standing outside a cinema entrance as a bus passes

Inside the cinema he meets with Dr Lindt (Jeffrey Segal) who shoots him dead.

Looking across Kilburn High Road, London to Burton Road from Messina Avenue

Substantial changes have been made to the frontage.

Two men walking off pasta cinema entrance on a High Street

As he walks away he is “tailed”.

Now once again.

A man having crossed a road walks towards camera. His car is parked opposite.

Lane returns to the cinema. Messina Avenue, London NW6

Not so easy to take the same angle shot these days.

A man hastening past camera with background shops at a crossroads.

Dr Lindt, leaves his surgery and Lane decides to “take a look at his surgery” now he has full information on him. The junction of Elgin Crescent and Kensington Park Road, London W11

A road junction in London.

Nobody looking quite so desperate today.

Lane and NATO security man Ray Ellis (James Maxwell) discuss the fact that Dr Lindt is now being “tailed”. Portobello Road, London W11, various lengths of which make an appearance in a number of productions including ‘Otley’, ‘Notting Hill’, ‘Pressure’, ‘The Wind of Change’, ‘Breaking Glass’, 'Seven Green Bottles', ‘West 11’, ‘The Moon Over the Alley’, 'Don't Open till Christmas', 'Bullet to Beijing', ‘Tonite Let's All Make Love in London’, ‘Mantrap’, ‘The File of the Golden Goose’, ‘The Italian Job’, ‘Villain’, ‘Who Done It?’, ‘The Gentle Trap’ and ‘The Mine and the Minotaur’.

The market continues to flourish.

A man walking down a pavement with a lady following him in a run down neighbourhood. Kensal Road, with the remains of St Thomas' Church on the corner with East Row Circa 1962

“Just the one?” enquires Ellis, "No, that's our taxi" replies Lane. Unknown location but it doesn't appear to follow on from Portobello Road. It doesn't follow on because Ray Glenister has found that it is Kensal Road, with the remains of St Thomas' Church on the corner with East Row, since rebuilt in contemporary design. To the right was red brick 'Pharmaceutical Warehouse' that survived the re-development and is now 'Canalot Studios' offering office and studio space. Both can also be seen in 'Very Edge'.

The tower of the rebuilt St Thomas' church remains visible in this shot from Richard Bennett.

They walk towards their car to decide upon a place that they can set up to monitor events. Elgin Crescent looking towards Colville Terrace, London W11

Elgin Crescent looking towards Colville Terrace, London W11

Very much a similar scene.

Close up of a bookmakers shop with a car parked in front.

The perfect place where no one would notice “Comings and goings” a bookmakers, or "Turf Accountants" as they were then. 8 Elgin Crescent, London W11

8 Elgin Crescent, London W11 and adjoining shops.

The number of motorcycles have grown now they have a place of their own.

A close up of a lady at a bus stop and about to board a bus.

Mrs Lindt (Anne Padwick) leaves the surgery, Ellis follows jumping on the bus as it pulls away. No 15 bus but I haven't worked out which stop. It would appear that the No 15 was off route and hired for the occasion as Ray provides the location as Harrow Road near to Amberley Road hidden behind Mrs Lindt. Denis Hoare adds that the building in the background, to the right of the bus, was The Neeld Arms at 362 Harrow Road and the corner of Marylands Road, now being converted into flats. (RL)

If only I could tell the full story behind this shot from Richard Bennett that replaces a long outstanding GEV, it has robbery, timing, coincidence, opportunity and even a happy ending. (RL)

A man looking left at the road side with a parade of shops to his right. Harrow Road and the junctions of Sutherland Avenue and Marylands Roasd. Circa 1962

Followed by Mason (John Brown) who hails a taxi. See Capture 21

Richard Bennett found that other than the substantial tree growth much remains the same despite the passing of 63 years.

A lady entering Horse Guards with Whitehall in the background.

Mrs Lindt is next seen entering Horse Guards off Whitehall, London followed by Ellis.

The gateway of Horse Guards into Whitehall seen from the former.

I wonder if Mrs Lindt would have been concerned about the armed policeman?

A man looking at his watch whilst standing at the entrance to the archway through to Horse Guards Parade

They enter Horse Guard’s Parade with Lane still observing.

A view of the Guards Memorial as seen through Horse Guards archway across the Parade ground.

More information and advertising material to read while you wait now.

A lady walking across Horse Guards Parade with a troop of Cavalry on horse back passing her.

She appears unaware of Ellis blending with the passing horses and riders.

Horse Guards Parade Ground shortly after Trooping the Colour

They are still clearing up after Trooping the Colour.

A close up of a man peering past a wall with the top an ornate stone building in the background

Mason continues to watch from afar.

The corner of Whitehall Palace with Horse Guards Avenue seen from Horse Guards

The Palace of Whitehall on the corner of Horse Guards Avenue seen from Horse Guards, London SW1

They walk on into St James’s Park.

A path in St James's Park looking towards Horse Guards Parade

The benches have gone.

A close up of the back of a man walking past a lady sitting on a park bench.

There she takes a seat as Ellis walks on past.

Difficult to be exact without the benches to count.

Mason unobtrusively joins Ellis as a “suspect” approaches the scene.

A pathway in St. James's Park London with the flower border being planted looking towards Horse Guards Parade.

The trees on the right have certainly grown.

A lady sitting on a park bench feeding birds and on the next seat a man in bowler hat and a newspaper.

The said suspect, Venner (Mark Singleton) sits on the seat adjoining Mrs Lindt where he leaves a newspaper for her to pick up.

I knew Venner and Mrs Lindt were plants!

He walks off followed by Mason. St. James's Park with Pall Mall and Carlton House Terrace in the background.

The gates etc are in alignment so Pall Mall and Carlton House Terrace must be behind those trees.

Venner hesitates at the Guard's Memorial.

A portion of the Guards Memorial St James's Park, London

A more legible shot.

A very large war memorial with five soldier statues below the inscription.

A poignant reminder of warfare and the military action and its cost.

A portion of the Guards Memorial St James's Park, London

Notwithstanding, strife continues in our World.

A man crossing a commercial road with cars parked either side against the background of a road junction.

Lane makes his way to the bookmakers. Elgin Crescent looking towards Colville Terrace.

Surprising how little has changed with regard to parking.

A view down a pavement as a bus approaches down a high street.

The team track Dr. Lindt going on a bus to the Harrow Road.

A view down Harrow Road.

I didn't have long to wait for a bus to enter the scene.

And over Ha’penny Bridge. The bridge at the north end of Wedlake Street W10 appears in 'Dangerous Davies: The Last Detective' and 'Pressure' and was replaced in 1990.

Ha'penny Bridge as it is now.

It is difficult to know what angle to take with the Bridge having been moved.

Meanwhile his “tail”, Mason, prepares to follow.

I caught a quiet moment.

A man descending a curved flight of stairs.

By the time he reached the other side of the bridge there is no sign of Lindt. The steps also appear in "Pressure".

The steps have been replaced by a user friendly slope.

A man looking left at a road side near to a pedestrian crossing

Not at the street corner so he must have entered the Bath House and Mason misses the person Lindt was meeting. Wedlake Street to Kensal Road, London W10.

At least the GPO box and the pedestrian crossing remain.

A man leaving leaving street premises said to be a doctors surgery.

Dr Lindt (Jeffrey Segal) leaves his surgery to meet Venner (Mark Singleton) outside “The Ministry” as secret information has been "fed" into their system. Elgin Crescent, London W11

A close up of a double fronted shop.

Fitting that the premises should now be "Neal's Yard Remedies".

A man walks past a United Dairies shop and then a door to another shop

He walks past neighbouring shops.

A car parked outside of two shops.

Thankfully, the green tiles remain.

The scene moves to Parliament Square and the telephone box, the agreed "meeting place".

Looking up to what is popularly known as "Big Ben" totally covered in scaffolding against a blue sky with some white clouds.

We will have to accept the scaffolding for some time to come.

A man at the foot of Clive Steps

Venner comes down the Clive Steps, London SW1……..

A wide stone set of stairs with a monument in the middle halfway up with a few people going up and down the steps.

Dress is more casual these days.

A man approaching a London telephone box close to the corner of a stone building.

...and walks to the telephone box in Parliament Square.

The telephone box has been moved.

A man with head down walks past a telephone box.

Meanwhile Burton (Jack May) walks past unobtrusively….

This box appears to be the favourite for tourists to have their photo taken......I found a very brief moment.

…and momentarily stops to watch Dr Lindt on the other side of the road….

The north side of Parliament Square from Great George Street.

A more colourful but unchanged scene.

A man, Dr Lindt, hurries to a corner of Parliament Square, London

…..as Dr Lindt crosses to collect the instructions left for him in a telephone book.

The corner of a stone classic building looking into Parliament Square with a handful of tourists passing by.

It was not easy to capture the angle with the telephone situated where it is now.

Dr Lindt hails a cab in Gt George Street off Parliament Square, London

He exits to hail a waiting cab. Great George Street off Parliament Square.

An ideal place for a wedding photo.

A man, Dr Lindt, tells the cabbie his destination before entering the taxi

Another cab gets to him first and Burton enters the cab behind and they set off together. Parliament Square looking into Great George Street.

A full view of Great George Street looking north.

With the street shut off to traffic the chance of hailing a cab was nil.

A waiting Renault Dauphine car waiting in Cockspur Street London

A message is sent to an undercover car to continue to follow. Cockspur Street with Nelson's Column left centre background.

Cockspur Street looking towards Trafalgar Square with the base Nelsons column just left of centre mid ground.

If one is patient a gap eventually appears in the traffic.

A taxi behind a car in Cockspur Street,London

The Renault Dauphine takes over from the taxi that pulls in to the kerb side. Cockspur Street, London SW1.

The pavement and road of Cockspur Street looking towards New Zealand House at the bottom of Haymarket and Canada House on the right.

Yes, the bus to my right would have soon filled the scene.

Looking out of a car windscreen as it enters Regent Street, London approaching the junction with Vigo Street.

Instructions are given for car 4 to drop back and car 3 to take over. Regent Street, London W1 with Vigo Street right of centre.

I am sure the flags were not out because it was the last shot of the day.

A man and a woman at a bus stop with passing traffic.

In an effort to give his pursuers “the slip” Lindt leaves the taxi and stands at a bus stop but they catch sight of him as they pass. Harrow Road with Lord Hills Bridge off to the right and Lord Hills Road to the left now lost below the Westway. This section of road also features in 'Secret People' while Lord Hills Bridge can be seen in 'This Happy Breed'.

The junction as it is now.

Pulling over shortly after Mary (Jacqueline Ellis) gets out of the car to tail him. Harrow Road with Torquay Road off to the left after the petrol station.

A pavement and the Harrow Road with commercial buildings and a petrol station to the left.

The petrol station remains and is still dispensing "Shell" fuel.

Two way traffic road with a car approaching camera and pavement to the right of the picture

John Lane (Patrick Allen) follows in his car…… Harrow Road, London W2 just passing Chichester Place. The Stafford Hotel/Public House is just right of center background.

Underneath a raised motorway with ground level traffic passing on the right.

A little further forward than I would have wished but the alternative was a blank wall.

A car about to enter a metal sided road bridge.

…and turns right. Ranelagh Bridge, London W2

Despite the significant road changes it is still possible to obtain a reasonable shot.

A bridge over a canal divided into two walkways.

Lindt alights from the bus to walk over Ha’penny Steps Bridge also featured in Quadrophenia and Pressure.

A footbridge over a canal approached from a slope on the left hand side with shops as a background.

The old bridge, that was to the left has clearly been replaced but the wider shot sets the scene.

On a metal bridge looking towards an exit/entrance

He looks back to see if he is being followed

Best possible shot given the changes.

A man walking down a flight of stone steps to the pavement below.

Re-assured that he is not, he carries on. Wedlake Street, London W10

The staircase has been replaced by a user friendly slope.

And enters the Baths and Wash Houses in Wedlake Street to hand over the report he had collected.

Looking down on a three quarter view of a small development of flats on the corner of a road.

The wash house has long gone.

A plain clothes policeman talking to his driver through the window of the car.

Lane tells his driver to ask all cars to get there right away and enters the baths to make an arrest, a shooting and a fight ensues until arrests are made.

The view over a car to railings and the apartment block behind.

Not only have we lost the wash houses but Patrick Allen as well.